Stone Temple Pilots Reunited In Hopes Of Opening For Led Zeppelin, Bassist Says

'If time allows, there will definitely be new music,' Robert DeLeo adds of STP's future.
By Chris Harris


Stone Temple Pilots' Robert DeLeo and Scott Weiland
Photo: Charley Gallay/ Getty Images

There are a number of reasons why Stone Temple Pilots decided to reunite after nearly five years apart — some are obvious, and others, not so much.

Of course, the financial windfall of reviving the grunge stalwarts for an extensive U.S. tour was too good to pass up, and bassist Robert DeLeo readily admits as much. And then there are the fans, the ones who had been with STP since the very beginning as well as those who discovered the band only after it first split back in 2003 and who, woefully, have yet to catch the Pilots live.

On a more personal level, though, Stone Temple Pilots' resurrection was purely selfish, and very much an anticipatory (not to mention optimistic) move on the band's part: If, after the months and months of rumors and denials, there ever is a full-on Led Zeppelin reunion tour, STP wanted to be ready to offer their services as an opening act.

"Believe me, that was one of the reasons," laughed DeLeo. "We thought, 'We should get together now, in case Zeppelin does tour.' I'm serious, man. That would be one hell of a bill: STP and Led Zeppelin. I mean, we could play a doghouse, out in the middle of the ocean, and if I got to play with Zeppelin, that would be a highlight of my life."

Yes, DeLeo — and the rest of the band — had several reservations about raising STP from the dead — a feat DeLeo jokingly referred to as "Mission Impossible." For the band's members, the idea of regrouping was terrifying at first, but with time, the boys settled their differences and tried to think positive.

"For me, it was about putting down some of the things that I was used to getting bitten by," explained the bassist — who, with guitar-playing brother Dean DeLeo, has been collaborating with Peter Frampton on material for his next LP. "After you get bitten, it's hard to go back. I wanted to go into this with an open frame of mind and a positive attitude and just have fun with it. We should have fun with it, which God knows we didn't always have with our career when we were younger. If that's all I can say, and that's what I can get out of this reunion, great.

"I think I speak for all of us when I say there's a lot of unfinished business that we didn't get around to the first go," he continued. "Enough time has gone by, and it feels really good to be back. I don't really want to put too much thought into how it feels — I'm just kind of going with it and keeping a good positive attitude about it. I just needed to get over the things that we all needed to get over, and that's been working so far. If everyone shows up and does this thing, I think it's going to be really amazing."

DeLeo claims that during recent rehearsals, STP were "sounding as good as ever," and he credits sobriety as part of the reason the band's in tip-top shape.

"My brother's going on four years of sobriety," he said. "We have a lot more clarity in the band now, and I think with clarity comes appreciation. I saw that the other night, when we played [a secret gig in Los Angeles]. I saw it in my eyes, and in the eyes of the rest of the band. There's a lot more rock in this band now."

As for an STP record, DeLeo is not 100 percent sure that's going to happen. The goal for STP over the next few weeks, he said, is to reacquaint themselves with their songbook and prepare for their return to the road. Once the band is back in that mindset, the bassist said new STP material is very possible.

"I've always got stuff written, and there's always a long list of songs that are always there — it's a matter of timing," DeLeo said. "If time allows, there will definitely be new music. I think it would be silly not to release new music. I'd like to believe we still have a writing relationship, but the first step is getting reacquainted with what we know."

While STP were on hiatus, frontman Scott Weiland teamed up with Velvet Revolver, and the DeLeo brothers joined forces with Filter's Richard Patrick for Army of Anyone — who are now on hiatus after releasing a poorly received self-titled LP. Does DeLeo foresee an AOA reunion somewhere down the line?

"You never know," he said. "It's just like STP — I didn't know if I was going to return. Whether we get back together and do anything, I think we made a great record, bottom line. That's all that matters to me. If we make another one, I want to make sure it's great, and that applies to STP and anything I do. But I was pretty heartbroken over [the feeble response to AOA's album]."

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Justin Bieber Shoots His Return To 'CSI'

Singer tweeted a photo of himself in makeup for February 17 episode.
By Gil Kaufman


Justin Bieber appears on "CSI"
Photo: CBS

If you were concerned that Justin Bieber snapped and got into a scrap with an overly aggressive photographer, relax, it's just makeup. Images of Bieber with a pretty impressive shiner started zooming around the Internet on Tuesday, but the picture is just a still from the set of "CSI," which the singer will revisit next month.

Bieber, who first appeared on the show in September, tweeted the photo of his makeup-caked black eye on Tuesday along with the message "On set ... where? Let's just say I'm back to my evil ways. #badass."

According to Entertainment Weekly, after getting good notices his first time around, Bieber is set to reprise his role as troubled teen Jason McCann in an upcoming February 17 episode of the crime procedural titled "Targets of Obsession."

The show will air during February sweeps (go figure), six days after Justin's movie debut in his 3-D biopic/concert film, "Never Say Never," which opens in theaters on February 11.

In his first "CSI" appearance, which was Bieber's acting debut, he portrayed a young kid whose older brother had been killed at the end of the previous season. Cops suspected that Bieber's character took out his anger over his brother's death on authority by planting bombs. In his second go 'round, currently being filmed, show regular Nick (George Eads) tips Jason off that he might be in "imminent danger."

Last year, "CSI" executive producer Carol Mendelsohn told MTV News that the teen star would be returning to the show, explaining how the September episode left unanswered questions about his character. "At the end of the episode, we're left with the question: Is Jason a good kid stuck in a bad situation or is Jason a bad kid hiding behind his cuteness?" Mendelsohn said. "You can see why Justin was such a perfect choice to play this role. ... It's an explosive story."

While fans will surely cheer his return to TV, they recently learned that Bieber will not be the subject of an episode of "Glee," as was widely rumored.

After stories began to swirl that Bieber Fever was slated to sweep McKinley High, Ryan Murphy, the co-creator of the Fox hit, cleared things up, explaining the role that the teen star's music would play in an upcoming episode. Murphy maintained that unlike other superstars whose repertories have received "Glee" overhauls — like Britney Spears, Lady Gaga and Madonna — Bieber's current list of hits isn't long enough to sustain an entire hour of New Directions-helmed numbers.

"Those [tributes] are reserved for artists with big catalogs," he told Entertainment Weekly. "Bieber comes up in episode 13 as a small plot point. Sam [Chord Overstreet] sings a JB song to win Quinn's [Dianna Agron] approval."

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Usher, Ke$ha And More Help Dance Music Go Pop In 2010

But is it here to stay? Our music-industry experts weigh in.
By Akshay Bhansali


Ke$ha
Photo: Andreas Rentz/ Getty Images

In 2010, pop princesses, R&B icons and chart-dominating newcomers all danced to the same beat. Not only did dance music go pop, but pop music caught the club-music bug.

Between Katy Perry's "Firework," Ke$ha's "We R Who We R," Rihanna's "Only Girl (In the World)," Enrique Iglesias' "I Like It," Usher's "DJ Got Us Fallin' in Love" and "OMG" and countless other singles, established artists definitely looked to dance beats for surefire hits. And two of this year's biggest success stories in music were Jason Derülo and Taio Cruz; could there be a soul left in this country who hasn't heard "Dynamite" or "In My Head"?

The love went both ways, with dance music's biggest stars finding mainstream success this year. Dance-music maestro deadmau5 took up house-artist duties at this year's VMAs, and Swedish House Mafia and Usher teamed up for a medley of their gems at the American Music Awards.

So how did this happen? We caught up with some music-industry experts to get their takes.

"You definitely saw tempos go up this year," Jon Caramanica of The New York Times told MTV News. "And I think what you had are a lot of producers who are really familiar with nightclub stuff. They are familiar with Europe. Things are happening on a more global scale now."

"I think everything from Europe, and sometimes even Asia, it comes to America, and we just adopt things a little bit slower," said Jared Eng of JustJared.com. "I think it was just a change. People like different types of music at different times. And dance was of this moment."

Noah Callahan of Complex magazine added: "I think 2010 saw the merging of the pop and dance genres. Pop artists realized that there were best practices that could be borrowed from dance music. And, ultimately, [all] pop music that has been made in the past 20 years had ended up being remixed for the club by dance artists. I think they basically just cut out the middleman and went straight there."

Dance music being introduced into the hip-hop and R&B realms was particularly notable this year.

"I think David Guetta kind of at the end of last year and the beginning of this year spearheaded it," said freelance writer Julianne Escobedo Shepherd. "He produced a lot of tracks. I think as trends go, people revile 'unst-unst.' But it's just coming back around. Big-room techno was a way for people to get decadent in a year that no one could get decadent."

"You have someone like will.i.am, who's like, 'Well, I spent all this time in Ibiza, and this is what they are doing,' and he wants to find a way to bring that into his music," Caramanica said of the Black Eyed Peas mastermind. "R&B especially became dance music. And especially with your Jason Derülos, Taio Cruzes. Guys like that would have literally been blocked at the border two years ago. That would not have made it through customs. And now all of a sudden they have #1 songs. I think will.i.am had a lot to do with that last year."

Elliott Wilson of RapRadar.com added: "It's actually even affected hip-hop. I was talking to Q-Tip, and his next record, I feel like that's gonna kind of go in that vein. I know that was also Jay-Z's thought process with Blueprint 3 at first, that he wanted to make a little bit more of a world music [vibe], a little more dancey. I think the kids today want to go to the clubs. They wanna have a good time. They wanna dance. So I think the artists of today are trying to kind of feed that audience."

"I think it's caught on this year because the people who've done it have been successful," offered Clover Hope of Vibe magazine. "Like 'OMG,' with usher, he didn't have success until he made a dance record. He had 'There Goes My Baby' and these really, like, adult-contemporary records that didn't really catch on. And then once you see that everybody is doing it and that people are liking it, they are like, 'OK, let me just try this out.' It's like Auto-Tune. Like, 'Let me see what I sound like on a record by David Guetta.' They end up liking it and doing more of it."

So does the club-music trend have staying power. According to our tastemakers, not so much.

"I do think it's a blip," Caramanica said. "I don't think that's gonna be something that lasts in America. I think this is gonna be a moment we'll all look back on and go, 'Wasn't that weird when Jason Derülo and Taio Cruz had #1 records?"

"At some point, these R&B artists will get kind of sick of it and be like, 'Let me go back to my soul background,' " Hope said. "When you actually have to say something, dance doesn't really lend itself to substance. And I think that R&B artists, they really want to talk about love and in a deep way, and to do that, you need to do, like, a soul or a traditional R&B record. I want to say that it's kind of a fad."

"I think music is very cyclical," Eng offered. "So I think dance music might be here for a little bit, but I'm sure it will phase out at some point."

Wilson called dance music "the sound of today. I think that people want more aggressive, faster beats, and I think that that probably has legs until at least next summer."

What do you think? Is dance music here to stay? Let us know in the comments!

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Justin Bieber Guest Editing Vanity Fair's Facebook Page

'I'm proud of my interview and cover,' the pop singer writes online of his cover story in the magazine's latest issue.
By Jocelyn Vena


Justin Bieber on the February 2011 cover of <i>Vanity Fair</i>
Photo: Art Streiber / Conde Nast

Not only is Justin Bieber the subject of a coveted cover story in Vanity Fair's latest issue, the teenage pop superstar has been tapped to guest edit the magazine's Facebook page.

"This week, the Vanity Fair Facebook page gets its first-ever guest editor: Justin Bieber!" the magazine announced on the website on Monday (January 10). "Check back later today for exclusive content, video, and giveaways ..."

For his first post on the site (the only one the pop star had contributed as of press time), Bieber gave fans a quick synopsis of what he'll be up to this week. "Pretty cool that I get to host the Vanity Fair Facebook page this week. I'm proud of my interview and cover — it was the most intense interview I've ever done," he shared. "Gonna be a fun week — make sure you make some comments because I will send one random fan who writes in the comments section a signed copy of my book. LEGGOOOO!"

Michael Hogan, executive online editor, talked about Bieber's guest-editor gig in a statement to MTV News: "The genius of Facebook is the way it enables people to talk to each other in a whole new way, and Vanity Fair is uniquely positioned to give our fans a whole new way of interacting with the world's most fascinating people. With 18 million Facebook fans, 6 million Twitter followers, and more than 1 billion YouTube views, Justin Bieber is the quintessential modern celebrity phenomenon, and we're thrilled to have him as the first (of many, we hope) guest editor of Vanity Fair's Facebook page."

It's not the first time that the young singer has claimed a website for his own. Last April, as a prank, Bieber took over Funny or Die, renaming the site "Funny or Bieber." During his 24-hour reign over the site, he posted videos mocking his pop star status. "Justin Bieber has decided to buy Bieber or Die," a message on the website read. "And do with it whatever his tiny little heart desires."

Will you be following Vanity Fair's Facebook page while Bieber serves as guest editor? Tell us in the comments.

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Robert Plant And Alison Krauss Win Grammy Album Of The Year

Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.
By James Montgomery with MTV News staff


Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday
Photo: Kevin Winter/ Getty Images

"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."

He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.

You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.

Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.

And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.

And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.

To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.

One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.

"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."

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