Rihanna, Eminem, Usher, B.o.B, Alicia Keys among winners at event celebrating 40th anniversary of classic music show.
By Joel Hanek and Gil Kaufman
Anita Baker at the 2010 Soul Train Awards
Photo: Moses Robinson/ Getty Images
Only at the Soul Train Awards could you have a tribute to R&B icons such as Anita Baker and Ronald Isley alongside a segment in which rap legend Doug E. Fresh attempts to teach CNN anchor Wolf Blitzer how to do the Dougie.
It was that kind of night at the 2010 Soul Train Awards, as rookies, veterans and legends came together in Atlanta for the second annual event — which was taped November 10 and aired Sunday night on BET. The show, hosted once again by Terrence Howard and Taraji P. Henson, featured a night of performances from some of the biggest names in soul and R&B.
Host Howard told MTV News that the show is meant to be an extension of the long-running and legendary '70s TV series that brought soul, disco, R&B and rap stars into viewers' living rooms. "It reminds me of the advancement black people have made over the years because 'Soul Train' really was the beginning of that Black Power movement when we could actually see ourselves — and to have an awards show based upon that 'Soul Train' — it's headed somewhere," Howard said. "We have a black president now. The country seems to be more tolerant towards the diversity inside of it so it seems like the train is moving well down the tracks."
The awards show marked the 40th anniversary of the classic music showcase hosted by Don Cornelius, and celebrated the careers of Baker and Isley, while handing out trophies to such contemporary stars as B.o.B (Song of the Year for "Nothing on You"), Melanie Fiona (Best New Artist), Eminem and Rihanna (Best Hip-Hop Song of the Year for "Love the Way You Lie"), Usher (Album of the Year for Raymond vs. Raymond) and Alicia Keys (Record of the Year for "Unthinkable [I'm Ready]" and Best Female R&B Soul Artist).
Though top winners such as Trey Songz, Usher, Ciara, Eminem and Rihanna were not in the house, Blitzer graciously agreed to accept Slim Shady's award for him, joking, "Who better to accept this award on behalf of Eminem ... I know he's thrilled."
Weaving through a series of skits involving magic tricks and jovial bickering by the hosts, the performance-heavy program delivered on talent. R. Kelly opened by teasing the crowd with his classic "Bump n' Grind," then diving into his new single "When a Woman Loves" — transforming the song from a slow jam into an all-out '50s rock-and-roll epic. Ne-Yo kept the show moving with a showcase of his singles from this year, including "Champagne Life" and "One in a Million."
The tribute to Baker featured an all-star cast, with artists like Chrisette Michele, Goapele, Lalah Hathaway, Dionne Farris, Kem, Tamia, Faith Evans and El DeBarge covering a medley of the singer's greatest hits. Baker told the crowd that the biggest honor of the night for her was that real musicians were performing live with an actual band. "It's amazing because you've got children behind you singing 'Rapture' — it's lovely," she said, adding, "Let's do it again!"
Ronald Isley, co-founder and lead singer of the Isley Brothers, also received a special homage that featured Jeffrey Osborne, Freddy Jackson, DeBarge, Tank, Eric Benet, Bilal and Peabo Bryson. Isley also came out to perform his own medley of hits and was joined onstage by Chanté Moore and R. Kelly for a rendition of "Contagious," their 2002 single that featured the Isleys. In addition, Cee Lo Green closed the show with a duet on the Isleys' classic 1959 hit, "Shout."
Among the event's other highlights was Cee Lo's performance of his smash "Forget You," which took place on a golden stage that resembled a cross between Kanye's Egyptian fusion and an OK Go video, and found the singer gliding down conveyor belts while belting his number.
Erykah Badu delivered a stripped-down version of her 2010 breakout "Window Seat" that featured the singer perched on the floor over a web of lights while appearing to orchestrate the vibrations of light flickers with her hands.
Soul singer Eric Benet performed "Sometimes a Cry" — a song that Lil Wayne cited as one of his favorites while in prison — bringing down the house with a soaring falsetto that bested his studio rendition of the track.
The evening's other performers included Bruno Mars, who sang his new hit "Grenade," and Jazmine Sullivan, who did a medley of "10 Seconds" and "Holding You Down (Goin' in Circles)."
Did you watch the 2010 Soul Train Awards? Tell us about your favorite highlights in the comments.
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But is it here to stay? Our music-industry experts weigh in.
By Akshay Bhansali
Ke$ha
Photo: Andreas Rentz/ Getty Images
In 2010, pop princesses, R&B icons and chart-dominating newcomers all danced to the same beat. Not only did dance music go pop, but pop music caught the club-music bug.
Between Katy Perry's "Firework," Ke$ha's "We R Who We R," Rihanna's "Only Girl (In the World)," Enrique Iglesias' "I Like It," Usher's "DJ Got Us Fallin' in Love" and "OMG" and countless other singles, established artists definitely looked to dance beats for surefire hits. And two of this year's biggest success stories in music were Jason Derülo and Taio Cruz; could there be a soul left in this country who hasn't heard "Dynamite" or "In My Head"?
The love went both ways, with dance music's biggest stars finding mainstream success this year. Dance-music maestro deadmau5 took up house-artist duties at this year's VMAs, and Swedish House Mafia and Usher teamed up for a medley of their gems at the American Music Awards.
So how did this happen? We caught up with some music-industry experts to get their takes.
"You definitely saw tempos go up this year," Jon Caramanica of The New York Times told MTV News. "And I think what you had are a lot of producers who are really familiar with nightclub stuff. They are familiar with Europe. Things are happening on a more global scale now."
"I think everything from Europe, and sometimes even Asia, it comes to America, and we just adopt things a little bit slower," said Jared Eng of JustJared.com. "I think it was just a change. People like different types of music at different times. And dance was of this moment."
Noah Callahan of Complex magazine added: "I think 2010 saw the merging of the pop and dance genres. Pop artists realized that there were best practices that could be borrowed from dance music. And, ultimately, [all] pop music that has been made in the past 20 years had ended up being remixed for the club by dance artists. I think they basically just cut out the middleman and went straight there."
Dance music being introduced into the hip-hop and R&B realms was particularly notable this year.
"I think David Guetta kind of at the end of last year and the beginning of this year spearheaded it," said freelance writer Julianne Escobedo Shepherd. "He produced a lot of tracks. I think as trends go, people revile 'unst-unst.' But it's just coming back around. Big-room techno was a way for people to get decadent in a year that no one could get decadent."
"You have someone like will.i.am, who's like, 'Well, I spent all this time in Ibiza, and this is what they are doing,' and he wants to find a way to bring that into his music," Caramanica said of the Black Eyed Peas mastermind. "R&B especially became dance music. And especially with your Jason Derülos, Taio Cruzes. Guys like that would have literally been blocked at the border two years ago. That would not have made it through customs. And now all of a sudden they have #1 songs. I think will.i.am had a lot to do with that last year."
Elliott Wilson of RapRadar.com added: "It's actually even affected hip-hop. I was talking to Q-Tip, and his next record, I feel like that's gonna kind of go in that vein. I know that was also Jay-Z's thought process with Blueprint 3 at first, that he wanted to make a little bit more of a world music [vibe], a little more dancey. I think the kids today want to go to the clubs. They wanna have a good time. They wanna dance. So I think the artists of today are trying to kind of feed that audience."
"I think it's caught on this year because the people who've done it have been successful," offered Clover Hope of Vibe magazine. "Like 'OMG,' with usher, he didn't have success until he made a dance record. He had 'There Goes My Baby' and these really, like, adult-contemporary records that didn't really catch on. And then once you see that everybody is doing it and that people are liking it, they are like, 'OK, let me just try this out.' It's like Auto-Tune. Like, 'Let me see what I sound like on a record by David Guetta.' They end up liking it and doing more of it."
So does the club-music trend have staying power. According to our tastemakers, not so much.
"I do think it's a blip," Caramanica said. "I don't think that's gonna be something that lasts in America. I think this is gonna be a moment we'll all look back on and go, 'Wasn't that weird when Jason Derülo and Taio Cruz had #1 records?"
"At some point, these R&B artists will get kind of sick of it and be like, 'Let me go back to my soul background,' " Hope said. "When you actually have to say something, dance doesn't really lend itself to substance. And I think that R&B artists, they really want to talk about love and in a deep way, and to do that, you need to do, like, a soul or a traditional R&B record. I want to say that it's kind of a fad."
"I think music is very cyclical," Eng offered. "So I think dance music might be here for a little bit, but I'm sure it will phase out at some point."
Wilson called dance music "the sound of today. I think that people want more aggressive, faster beats, and I think that that probably has legs until at least next summer."
What do you think? Is dance music here to stay? Let us know in the comments!
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Mother Monster also shows off portable photo printer and other gadgets from her 'Grey Label' collaboration during electronics fest.
By Mawuse Ziegbe
Lady Gaga at CES 2011 in Las Vegas
Photo: Steven Lawton/FilmMagic
She's adorned her shades with lit cigarettes and covered her peepers with jewel-encrusted spheres, but Lady Gaga's latest pair of sunglasses has taken eyewear to stylish and tech-savvy new heights.
The influential songstress revealed her yearlong "Grey Label" collaboration with Polaroid to a packed room and thousands of fans who tuned into the event via Ustream at the Consumer Electronics Show, or CES, in Las Vegas on Thursday (January 6), and among the spankin' new products is a pair of shades with cameras embedded in the lenses.
Gaga, who took the stage nearly an hour after the publicized start time in a black corseted gown and wispy veil, showed off the innovative specs perched on a bronzed mannequin. Once turned on, tiny twin screens appeared in each lens, and Gaga explained that the futuristic accessories can snap photos and capture video, and are equipped with Bluetooth capabilities and a USB connector.
Mother Monster also showed off a sleek, portable photo printer about the size of a clock radio that allows users to instantly print physical copies of smartphone pics using Bluetooth technology — although the device isn't iPhone compatible. Gaga said the invention was inspired by seeing the legions of concertgoers thrusting camera phones in the air at her shows. She then demonstrated the nifty printer by snapping a picture of the assembled crowd of Gaga-ites and gadget heads — playfully barking, "Smile! You're so f---ing famous! — and brandishing a glossy image minutes later from the mini-machine. According to a Polaroid executive, the product should be available in May.
Gaga also introduced a suitably stylish and social media-friendly revamp of the classic Polaroid instant camera that she said would eventually allow photogs to directly share images on Facebook and Twitter. The product is slated to hit shelves around Christmas.
The Gaga-approved gadgets cap off a year of tinkering at Polaroid, which began when the "Bad Romance" belter was announced as a creative director in January 2010.
"I love the products, I'm so proud to be here," Gaga gushed about developing the gadgets with Polaroid. "They honored me as a woman, as a creative director and they really let me [put my] hands in there and design this sh-- myself."
What do you think of Gaga's Polaroid "Grey Label" gadgets? Let us know in the comments!
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Guest star Gwyneth Paltrow's character will also hook up romantically with Mr. Schuester.
By Mawuse Ziegbe
Lady Gaga
Photo: Ian Gavan/ Getty Images
Lady Gaga's "Born This Way" single isn't available for public consumption yet but the track is already slated to be covered by the McKinley High crooners on "Glee."
Co-creator Ryan Murphy told Entertainment Weekly that the song will be featured in an episode set to air in either March or April. The storyline will focus on gay bully Karofsky, played by Max Adler, who is in the closet. Murphy said he chose to revamp the track because of its inspirational vibe; a theme he plans to thread throughout the episode.
"I love that that song is [an] anthem," Murphy said. "This show is by nature optimistic and I think a character like Karofsky could turn to booze or pills or alcohol and kill themselves or do something dark. But I also love Max and I love that character and I sorta want that character to have a happy ending. So I don't really know what that's going to be, but I do know we're going to do a whole episode that's about that song."
The episode will likely be bookended by the release of Gaga's single in February and the drop date of her Born This Way album, which is set to hit shelves in May.
Gleeks will not only get more Gaga, but Gwyneth Paltrow will also return as saucy substitute teacher Holly Holliday, and this time she gets to heat things up with faculty heartthrob Mr. Schuester.
"Gwyneth is coming back for two episodes. She's coming back specifically to date Will [Matthew Morrison]," Murphy confirmed. "Those two have become really good friends in real life and had really good chemistry. She's coming back as a sex education teacher. Gwyneth and I are emailing, talking every week: What are we gonna sing? We're trying to do something fantastic. So she'll be [in episodes] 15 and 16. She comes back [to film] in January and she's with us for three and a half weeks I think."
Are you looking forward to more Gaga-and-Gwyneth-packed "Glee"? Let us know in the comments!
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