Black Eyed Peas, Usher, Slash Light Up Super Bowl XLV Halftime Show

Foursome is joined by special guests and tons of lights for smash-hit medley.
By Mawuse Ziegbe


Black Eyed Peas perform during the Super Bowl XLV halftime show
Photo: Getty Images

The Black Eyed Peas promised a party at the Super Bowl halftime show on Sunday (February 6), and the pop supernovas definitely delivered, with a performance teeming with lights, dancers and surprise appearances from celebrity pals.

Following a Chatter.com commercial that showed animated versions of the Peas showing off their social-media skills, the group kicked things off with their 2009 smash "I Gotta Feeling," descending from the ceiling on illuminated platforms onto a stage surrounded by a cluster of dancers clad in white bodysuits. The foursome led the team of fist-pumping troops in "Tron"-like getups, with Taboo sporting an outfit covered in flashing lights, will.i.am rocking a shiny hairpiece, Apl.de.ap wearing huge bright studs and Fergie vamping it up in bling-laden shoulder pads.

When the speaker-busting bass of "Boom Boom Pow" dropped, the dancers dispersed across the field to create arrow-shaped formations as the glow-in-the-dark lights on their suits illuminated the stadium. Then rumored surprise guest Slash of Guns N' Roses rose from below the stage for a "Sweet Child O' Mine" duet with Fergie. The GNR great rocked a finger-searing solo in a studded version of his signature black top hat as more angular platforms and dancers moved across the gridiron. The platforms were bearing scores of marching-band musicians who blasted their horns and pounded away on their drums as the Peas went into "Pump It" and blue lights splashed across the production.

Quick streams of fog heralded the arrival of the Peas' second surprise guest, Usher, who swooped in on a long chain to bust out his will.i.am-assisted joint "OMG." Rocking a sparkly collar on an otherwise all-white ensemble, the R&B hitmaker cranked out several counts of energetic choreography, enlivening moves from his "OMG" video and at one point jumping over Will and landing in a split.

A spray of pyro ushered in the collective's breakout 2003 hit "Where Is the Love?" as the oddly shaped platforms spelled out the word "Love" in bright-red letters. The team of dancers, which appeared to have multiplied to over 100, formed hearts across the field as will updated the lyrics of the smash with lines like, "Obama, let's get these educated."

Then the group jumped ahead to their most recent single, 2010's "The Time (Dirty Bit)," as several back up hoofers rocking cubed helmets joined the Peas onstage and dancers lined up along the gridiron to simultaneously bust out the Running Man, a move which drew cheers from the crowd.

The platinum-selling Peas wrapped up the performance with a reprise of "I Gotta Feeling," as the quartet triumphantly signed off amid of blitz of fog, firepower and flashing lights.

Ripping the halftime show was clearly a touching moment for will, who tweeted beforehand, "Me and apl started the peas when we were 16 yesterday we were dreamin now were livin it. Wow. I'm not crying out of sadness or nervousness its joy and pride and memories and the journey."

And once the crew left the stage, the frontman was not only proud, but pumped. "That was so freakin sick," he wrote. "Wow...!!!"

What did you think of the Black Eyed Peas' Super Bowl performance? Let us know in the comments!

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Michael Jackson Doctor Pleads Not Guilty To Involuntary Manslaughter

Conrad Murray's trial slated to start March 28.
By Gil Kaufman


Dr. Conrad Murray appears in court on Tuesday in Los Angeles, California
Photo: Irfan Khan-Pool/ Getty Images

Michael Jackson's former personal physician Dr. Conrad Murray entered a plea of not guilty to charges of involuntary manslaughter in the June 2009 death of the pop star at his arraignment on Tuesday morning (January 25).

According to the Los Angeles Times, when asked by judge Michael Pastor how he pleaded to the charge, Murray said, "Your honor, I am an innocent man." When Pastor interrupted and asked Murray what his plea was, the cardiologist said, "Therefore, I plead not guilty."

The brief hearing in Los Angeles Superior Court ended with Pastor setting a March 28 date for the start of a trial in the case. Murray faces a maximum of four years in prison if convicted, and the Times noted that he surprised the judge by invoking his right to a speedy trial, which meant the case would have to begin by late March. Pastor noted the rarity of a defendant asking to have a speedy trial, then set jury selection for the week of March 28 and said he was inclined to allow television coverage of the trial that the defense expects will last two months.

Lawyers for Murray have maintained his innocence all along, saying he did not do anything that "should have" caused the 50-year-old pop icon's death. The Los Angeles County Coroner's office determined that Jackson died of an overdose of the surgical anesthetic propofol mixed with a cocktail of other sedatives.

Murray has admitted to administering propofol to Jackson in the hours before the singer's death, but the defense appears to be gearing up to claim that it was Jackson who administered the final, fatal dose of the drug after he woke in a panic from a fitful night of sleep.

During a preliminary hearing earlier this month to determine if there was enough evidence to hold Murray over for trial, the physician's attorneys said that there was evidence Jackson injected or drank a fatal amount of the drug when the doctor was not looking.

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Dimmu Borgir Release Live DVD; Plus Led Zeppelin, Brujeria, & More News That Rules, In Metal File

'It shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums,' guitarist says.
By Chris Harris


Dimmu Borgir's Silenoz
Photo: Nuclear Blast

On October 14, Dimmu Borgir — who just happen to be Demi Lovato's favorite black-metal band — will release a a three-disc DVD/CD set called "The Invaluable Darkness," the band's first visual offering since 2002's "World Misanthropy." Boasting live footage shot last year, during gigs in Norway, Germany and England, "The Invaluable Darkness" demonstrates the unbridled furor of seeing Dimmu live, guitarist Silenoz said.

"It shows the honest rawness and atmospheric darkness of our concerts," the Norwegian told Metal File last week, after dismissing recent online rumors that his band's next LP would be coming out through Roadrunner Records. "Basically, it shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums. It's just a different side to the band, basically."

Dimmu Borgir began thinking about "The Invaluable Darkness" two years ago, but didn't start capturing footage until last summer, Silenoz explained, adding that the band will use its current stint on the Blackest of the Black Tour — which got underway Thursday night in Miami Beach, Florida, and also features the tour's founder, Danzig, along with Moonspell, Winds of Plague and Skeletonwitch — to promote the DVD. Dimmu Borgir will not, however, use the tour to write material for their next LP.

"It's our first time on Blackest, but Glenn [Danzig] had wanted to bring us out before [on the tour], but we weren't available until now," Silenoz said. "We've done Ozzfest before, but we're looking forward to this tour more. We did the main stage on Ozzfest, playing in f--_ing broad daylight. This tour will let us play in bigger places, but at the same time showcase more of what the band's about, visually. We are going to concentrate on the tour for now. Some years ago, we tried putting [material] together on the road, but once we got home, we listened back to it, and were like, 'What the f--- is this?' So, we just scrapped it all. We find it's so much better to totally focus on one thing at a time, and then, when that's over, you move on to the next [thing]. We don't really feel like we need to rush things, anyway, so we'll just take our time, and it's going to be what it's going to be."

Dimmu Borgir hope to reconvene in late December to begin writing the follow-up to 2007's diabolically titled In Sorte Diaboli. "We have some ideas floating around already, but we haven't arranged any material yet," he said. "We'll start doing that once the touring for this DVD is over." The band's frontman, Shagrath, is also due to marry soon — he's engaged to actor Nicolas Cage's ex-girlfriend, Christina Fulton, so that may have an effect on when Dimmu finish their next album, which Silenoz said could be out this coming spring.

"I'm sure [Shagrath] won't let anything get in the way [of] the band — I think, I hope," the guitarist said. "We don't need a Yoko [Ono] situation."

While Dimmu have been at it going on 15 years now, Silenoz said he doesn't think their forthcoming material will be much of a departure from their previous black-metal offerings.

"And we have always been about more than just that term, 'black metal,' " he said. "Luckily for us, the older you get, the less concerned you get with the categorization and putting labels on your music. Things start getting more and more limitless with us, and we know that we operate within certain frames. But we try not to analyze things too much, because it's just going to be working against you in the end. When we write new stuff, we don't think about what we should write — we just get together, and put material together, and if we like it, we keep it. That's the formula, if we even have a formula."

Dimmu Borgir are definitely getting older — guitarist Galder will be missing Blackest because of a recent addition to his family, and Susperia's Cyrus will be filling in for him; while former Vader drummer Dariusz Brzozowski takes over for Hellhammer, who had to leave the band in 2007 after sustaining a neck injury that's now limited the use of his right arm. As Dimmu has gotten on in years, Silenoz admits they have failed to keep pace with some of the more extreme black-metal acts that have followed in their wake.

"We helped open doors for the more extreme bands out there," Silenoz said. "I'm sure we helped open doors for bands like Watain, [insomuch as] people that had maybe started listening to us first then went on to the more extreme stuff. Let's face it — we're not as extreme as Watain and other bands like that, but we're fine with that."

The Blackest of the Black Tour continues through November 10 in San Francisco.

The rest of the week's metal news:

Dimmu's tourmates on Blackest, Winds of Plague, have announced ex-Azusa drummer Art Cruz has joined their ranks — he replaced Jeff Tenney. According to the band's blog, "Art has already added a new spark to the band and has provided us with a solid backbone that will allow us to continue our rampage stronger than ever." ...

What the world really needs is another Led Zeppelin box set, so, on November 4, Rhino Records will issue the Led Zeppelin Definitive Collection Mini LP Replica CD box set. For just $200, you'll get 1969's Led Zeppelin, 1969's Led Zeppelin II, 1970's Led Zeppelin III, 1971's Led Zeppelin IV, 1973's Houses of the Holy, 1975's Physical Graffiti, 1976's Presence, 1976's The Song Remains the Same, 1979's In Through the Out Door and 1982's Coda, as mini-LP replicas, with artwork from the original U.K. LP sleeves. Now, you know what you can get your dad for Christmas. ...

Former Killswitch Engage frontman Jesse Leach and current Killswitch Engage guitarist Adam Dutkiewicz have teamed up for a new project they're calling Times of Grace, and they've already started working on material for their debut album. According to Leach, "We have two songs to go and we will be finished with all of the vocals. Adam has taken lead vocals in three songs as of yet and he is doing a great job. We also worked on a track yesterday that is so epic — we trade vocals and do two different melodies at the same time. This album went from a melodic metal album to an epic mix of metal/rock/pop/shoegaze and punk. So all of your metal expectations will be incorrect — we are pushing genre boundaries." To quote "Meet the Parents," we'll look forward to that, Greg. ...

The Funeral Pyre and Early Graves will be hitting the road together next month, starting November 7 in South Lake Tahoe, California. Dates are booked through November 21 in Hollywood. ...

The latest incarnation of Brujeria, which features Carcass frontman Jeff Walker and Napalm Death's Shane Embury, have lined up several U.S. dates for this winter. The band will begin its brief trek November 28 in Denver, and wrap things up in Dallas on December 7. ... Demiricous will be touring with the Gates of Slumber starting November 9 in Denver, for a jaunt that's scheduled to run through December 6 in Indianapolis. ...

Nearly three years after Roadrunner Records' Roadrunner United concert, which took over the Nokia Theater in New York's Times Square, the label is now releasing footage from that special night as "Roadrunner United: The Concert." The DVD, which hits stores December 9, will boast two discs and 24 live tracks, including Life of Agony's "River Runs Red," King Diamond's "Abigail," Killswitch's "My Last Serenade," Type O Negative's "Black No. 1" and Sepultura's "Refuse/Resist." ...

According to Blabbermouth, Verrot, bassist for Swedish black-metal outfit Elimi, committed suicide on October 3. In a statement, the band said, "Verrot was a very good friend, brother, an excellent bass player/musician and an important part of Elimi; we respect his decision and hope he'll find his way with the dark gods of Chaos. Let your black flame be a part of what brings forth the day of wrath."

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Robert Plant And Alison Krauss Win Grammy Album Of The Year

Raising Sand, from Led Zeppelin vet and bluegrass superstar, wins five Grammys on Sunday night.
By James Montgomery with MTV News staff


Alison Krauss and Robert Plant accept the award for Album of the Year at the Grammy Awards on Sunday
Photo: Kevin Winter/ Getty Images

"I'm bewildered," Robert Plant said onstage as he accepted the Grammy Album of the Year award with Alison Krauss on Sunday night. "In the old days we would have called this selling out, but it's a good way to spend a Sunday."

He was probably one of the few who were surprised, because Raising Sand, which won five trophies at Sunday night's show, is in many ways the perfect Grammy album. It features two respected veterans, a critically lauded producer, some sandpaper-and-velvet vocals and a baker's dozen of time-tested standards.

You're probably familiar with Robert Plant from his Led Zeppelin days, and you might be aware of producer T-Bone Burnett's work on the "O Brother, Where Art Thou?" soundtrack (it won the Grammy for Album of the Year in 2002). And if you don't know who Alison Krauss is, she possesses a haunting set of pipes and is one of the meanest fiddle players in the world. Oh, and she's won 21 Grammys, more than any other female artist and the seventh-most in history.

Really, she's the key to Sand's success, and not just because of her voice (or her fiddle playing). She and Plant first met in 2004, at a Rock and Roll Hall of Fame tribute to legendary bluesman Leadbelly, and the former Zeppelin man was amazed by her knowledge of American Roots music — so much so that they began kicking around the idea of recording an album together. Three years later, Sand was released.

And while Plant possesses the more famous voice, the album's finest moments radiate from Krauss. Whether she's getting bluesy on Little Milton's "Let Your Loss Be Your Lesson" or entwining with Plant's husky voice on songs like "Please Read the Letter" and Roly Salley's winsome "Killing the Blues," she more than carries her end of the bargain.

And perhaps that's also due to producer Burnett, who handpicked the 13 songs the duo cover on Sand. His arrangements are sparse — giving the two voices ample room to breathe — yet dense, warm and crackling at the same time. It's a testament to his work that he's often given just as much billing as Plant and Krauss on the project ... and it's certainly justified.

To date, Sand has sold more than 1 million copies, heaped tons of acclaim and actually earned a Grammy last year — "Gone Gone Gone (Done Moved On)" took home the award for Best Pop Collaboration With Vocals.

One expert was surprised not by the album's success, but by the fact that it's actually quite a good album.

"At first, the album seemed like a vanity project. ... Two names, clearly a one-off record, didn't have to be any good, you know?" New York Times music critic Jon Caramanica said. "Led Zeppelin fans would buy it because of Robert Plant, Alison Krauss would get a check. But it actually turned out to be a really thoughtful, really good record. So when you combine all that with the fact that the Grammys love to lionize one of their own, I could really see it taking home some awards."

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'Glee' Season Finale Exclusive: Listen To 'Yeah!' Here

An a cappella girl group covers Usher's hit for Nationals in next week's episode.
By Aly Semigran


Usher
Photo: Christopher Polk/ Getty Images

During this week's episode of "Glee", the gang from New Directions took a big risk when they decided they would compete in Nationals by singing their own original songs. Well, the stakes just got a little higher.

MTV News has an exclusive first listen to one of the rival groups who will go up against the McKinley High glee club in New York City during next Tuesday's (May 24) big season two finale. In the upcoming episode, an all-female a cappella group sings Usher's 2004 club and radio smash "Yeah!," which may have the Nationals judges saying just that.

Singers replace synthesizers for the four-note melody that repeats throughout the song, and lead vocalists RaVaughn Brown and Missi Hale match the high energy that Usher, Lil Jon and Ludacris brought to the track.

Granted, a few things have been tweaked in the version for the tween-friendly show, including the length (the original is over four minutes long, while the "Glee" version comes in at three and a half minutes) and the tune's instructions to "Take that and rewind it back ... got the rhythm make ya booty go."

Also, instead of Ludacris' verse, "We want a lady in the street/ And a freak in the bed," one girl sings, "You know you want a kiss on the lips, old red." The line, "Ludacris fill cups like double D's" has also been cut from the song.

But, it's not all PG. At one point in the girls' rendition of the track, they page homage to Lil Jon's crunk hit "Get Low," singing, "From the windows to the walls" and even Mystikal's booty-happy single "Shake Ya Ass," when they urge, "Show me whatcha' workin' with."

At the 2005 Grammy Awards, the power trio of Usher, Lil Jon and Ludacris won the Best Rap/Sung Collaboration for "Yeah!" But, will the song bring the same sort of fortune to this girl group at Nationals? Or will the glory all belong to New Directions this time? Gleeks will still have to wait a few more days to find out.

The "Glee" season finale airs Tuesday at 9 p.m. on Fox, while "Glee": The Music, Volume 6, including the three new original songs "Light Up the World," "Pretending" and "As Long as You're There," will be available on Monday.

What do you think of this a cappella group's version of "Yeah!"? Let us know in the comments section below!

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Do Foo Fighters Know Robert Pattinson From Robert Plant?

During band's rehearsal break for Sunday's Movie Awards, we put Foos to the test.
By Ryan J. Downey, with reporting by Jim Cantiello


The Foo Fighters' Dave Grohl
Photo: MTV News

UNIVERSAL CITY, California — Hard rock, heavy metal, hardcore and punk have long gone hand-in-hand with evil wizards, magic, vampires and werewolves. And with a collective sub-cultural pedigree that includes stints in the Germs, No Use for a Name, Sunny Day Real Estate, Scream and some band called Nirvana, you'd think the Foo Fighters — set to perform at Sunday's Movie Awards — would know their "Potter" from their Zeppelin. Certainly they can recognize a "wand" reference and pinpoint its origin?

Right? Before we put MTV News' magically crafted trivia to the band, it seemed safe to assume the Foos would accurately distinguish between the words of Harry Potter, a "Twilight" character and Led Zeppelin. But was their underground nerd cred blown to shreds? Read on — and click the video! — to see how the Foo Fighters fared when we caught up with them on the Universal Studios lot, shortly after they finished rehearsing their Movie Awards performance.

Our own Jim Cantiello played dungeon master as Dave Grohl, Nate Mendel, Taylor Hawkins, Chris Shiflett and Pat Smear were given a series of semi-famous lines and asked whether they originated with "Harry Potter," the "Twilight Saga" or the lyrics of hard-rock pioneers Led Zeppelin.

Here's a sampling of a few of those one-liners:

» "The elder wand, the most powerful wand ever made."

» "Why don't you let me be yours ever truly? Can I make your garden grow?"

» "You're lying, Dolores! You mustn't tell lies!"

Can you guess whether the lines above came from the "Potter" flicks, "Twilight" or Robert Plant?

Watch as the Foos try their best to do exactly that. Then tune in to the MTV Movie Awards on Sunday to catch the Foo Fighters rock the stage with their new single, "Walk."

Will wizards, vampires or dream thieves steal the 2011 MTV Movie Awards? Find out June 5, when the 20th annual show airs live at 9 p.m. ET/PT. Tune in at 7:30 p.m. ET/PT that night for the "America's Best Dance Crew" finale and Movie Awards pre-show, loaded with live action from the red carpet, exclusive movie clips and a special edition of "After Hours."

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