Usher's VMA-Nominated 'OMG' Inspired By '80s Sci-Fi Character

Director Anthony Mandler wanted to let R&B superstar take viewers 'on a journey, not a ride.'
By Jayson Rodriguez


Usher in "OMG"

For a video as forward-thinking as Usher's "OMG" -- with its laser beams and light flashes -- director Anthony Mandler actually looked back for inspiration.

"The original idea was kind of Max Headroom," Mandler told MTV News, citing the animated science-fiction character from '80s British TV. "That's where it came from — the TV flickering on and there's this character. We just wanted to bring it up to date."

"Max Headroom was always in his room," he continued, "this unidentifiable room, '80s shapes. I used that for inspiration."

The formula worked: "OMG" is among the Best Male Video nominees for the 2010 MTV Video Music Awards. The clip is up against Drake's "Find Your Love," Jason Derülo's "In My Head," Eminem's "Not Afraid" and B.o.B's "Airplanes." Mandler is a multiple nominee, having also helmed Drake's video.

"OMG" is the first time Usher and Mandler — who has worked with Jay-Z, Mary J. Blige and Rihanna — collaborated on a project.

Usher said he knew the video would be a challenge and wanted to make sure the director was up to the task.

"When I first shot the song to him, I was like, 'Are you sure you're gonna be able to catch this one?' And he said, 'I got it,' " Usher explained.

"We wanted to bring Will.I.Am (the song's producer) into my world," he continued. "Obviously, the international sound and look and feel has already been set, but we wanted to do something theatrical, fun and energetic to show us working off of each other and playing off of each other as artists, but the cinematography would be artistic and incredible."

Mandler described the visuals as "Hitchcock-ian." Though the style of the shot was important to the director, he had a simpler goal in mind: to capture Usher in his element. He said the key to the clip was simply letting Usher's talent take over.

"The concept was to create a world where we put Usher in a space where he does what I think he does better than anyone else in the world, which is perform at a level and magnitude of a superstar and take us, the viewer, whether audible or visually, on a journey, not a ride," the director said. "And, in that, I wanted to create an unpredictability, so one set leads to another and another, and you never know what's gonna happen. Along the way, Usher becomes our guide. We're so focused on him, we don't notice the change. The thing is unfolding little by little, and you can't quite see far enough ahead to know what's gonna come next."

The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on September 12. The party starts with MTV News' VMA Pre-Show at 8 p.m., followed by the main event at 9 p.m. ET. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for Best New Artist from now through September 12.

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Usher Remembers Being A 'Pizza Face' On 'When I Was 17'

'I had really, really bad acne ' he admits in Saturday's episode.
By Mawuse Ziegbe


Usher on "When I Was 17"
Photo: MTV News

He's known as one of the smoothest R&B sensations to grace the stage, but when Usher was 17, he grappled with a far less flattering image.

"I went through this phase where I had really, really bad acne," the singer admits on the latest episode of "When I Was 17," premiering Saturday at 11 a.m. Usher, who was 17 in 1995, reveals with a grin that his nickname was "Pizza Face."

"His acne was so horrible," recalled one of Usher's more blunt friends, Keith. "His face was so jacked up."

Music mogul and producer Jermaine Dupri remembered how the entertainer's spotty complexion led him to shy away from the spotlight.

"He didn't want to go out. He wanted to stay in," Dupri says. "He was a little ashamed of what was going on with his face."

The singer went to extreme, and ultimately unsuccessful, lengths to disguise his breakouts.

"As a dude, you're not gonna put makeup on your face, right?" Usher said. "I tried that, it didn't even work."

He may have experimented with cosmetics and spent a few more nights at home but the multiplatinum star didn't let his acne hold him back from wooing the ladies. "I was 17, so I would still try to talk to girls [and] get past it," Usher reasoned.

He even had some smooth lines to drop when he wanted to draw attention away from his skin. " 'Don't look at that, look at my eyes, baby. I'm trying to say something real serious to you right here,' " Usher recalled, reenacting his complexion-deflecting dating moves. "I know I have pizza face, I don't care."

In the end, his skin cleared up and the singer said it was just a matter of riding out a rite passage that many teens are forced to endure.

"This is something that all 17-year-olds have to deal with," Usher said. "You can't run away from it."

— this week featuring B.o.B, Usher and Ne-Yo — premieres Saturday at 11 a.m. on MTV

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Source: http://www.mtv.com/news/articles/1647586/20100911/usher.jhtml

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Justin Bieber, Ke$ha, Katy Perry Pick Up Platinum Certifications

Releases by Black Eyed Peas, Rihanna, B.o.B, Bruno Mars also recognized by recording-industry organization RIAA.
By James Montgomery


Justin Bieber
Photo: Jeff Kravitz/ Getty Images

On Wednesday, the Recording Industry Association of America handed out their latest round of gold and platinum certifications ... and if your name was Ke$ha or Justin Bieber, well, then it was a very good day for you.

Ke$ha's Animal was certified gold (meaning it passed the 500,000-sales mark) and a spate of her digital singles went multiplatinum, with "Tik Tok" being downloaded more than 5 million times and "Your Love Is My Drug" racking up another 2 million. "Blah Blah Blah" and "Take It Off" both were certified gold, meaning that, all told, she's sold more than 8.5 million downloads to date.

Bieber earned his first-ever multiplatinum award, as the RIAA certified sales of his My World 2.0 album at more than 2 million copies. "Baby," his team-up with Ludacris, also was certified as double platinum.

Wednesday also was a great day to be the Black Eyed Peas, as their massive tune "I Gotta Feeling" was certified 6-times platinum (that's more than 6 million downloads) — making it the RIAA's highest-ever digital-song certification.

Following (somewhat) close behind the Peas were the likes of Katy Perry, B.o.B, Taio Cruz and Rihanna, who had their respective mega singles "California Gurls," "Airplanes," "Break Your Heart" and "Don't Stop the Music" certified as triple platinum. Perry and Rihanna also each picked up a double-platinum certification — for "Teenage Dream" and "Rude Boy," respectively — bringing their total hauls to more than 5 million units sold.

The Bruno Mars track "Just the Way You Are" was certified platinum, giving the crooner his very first solo plaque. B.o.B's "Magic" and former "American Idol" champ Kris Allen's "Live Like We're Dying" also picked up platinum certifications.

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Source: http://www.mtv.com/news/articles/1652671/20101119/bieber_justin.jhtml

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Adam Lambert's 'Whole Lotta Love': The Story Behind The Cover

Glam rocker tackled the legendary 1970 Led Zeppelin song for 'American Idol' rock night.
By Gil Kaufman


Adam Lambert performs "Whole Lotta Love" on "American Idol" on Tuesday
Photo: R. Mickshaw/Getty Images/ Fox

Imagine a freight train speeding toward you at midnight. Or a rockslide barreling down a hill as you try to outrace it. That's the feeling of the ominous, chugging Jimmy Page riff that kicks off Led Zeppelin's 1970 Stonehenge of rock, "Whole Lotta Love." And that's before singer Robert Plant leans into one of the nastiest, ecstatic rock screams this side of the Who's "Won't Get Fooled Again."

That's the song Adam Lambert chose to sing on "American Idol" rock night Tuesday (May 5), and, needless to say, it was a challenge that the eyeliner-loving Los Angeles stage veteran was more than up for, hitting a series of high notes and rock screams that would have made Plant proud. It was a risky maneuver that paid off for Lambert, who chose a tune that came in at #75 on Rolling Stone magazine's list of the "500 Greatest Songs of All Time" in 2004.

The legendary British rock act recorded the tribute to Chicago blues icon Willie Dixon during their second U.S. tour after working it out in their live show, including it on their 1969 classic album Led Zeppelin II. Like many of the songs Zeppelin performed early in their career, "Love" was a blues standard turned on its head with a heavy dose of crunching psychedelic guitar and thundering drums, courtesy of late drummer John Bonham. The song was based on a 1962 tune by another blues forefather, Muddy Waters, called "You Need Love," which was penned by Dixon.

For Zeppelin's version, Plant customized the lyrics by adding some lyrical quotes from a few other songs Dixon wrote for Howlin' Wolf, "Back Door Man" and "Shake For Me," nailing the tricky vocal in a single take. It was also inspired by 1966's "You Need Loving" from the British rock group the Small Faces, for whom Zeppelin had great affection, but they also did not credit Dixon for his part in writing the original lyrics. The song became Zeppelin's first U.S. single and their only U.S. top 10 hit. Though their manager would not let them release singles in the U.K. because he thought it cannibalized album sales, the song was finally released as the band's only British single in 1997.

Dixon sued Zeppelin over the song in 1985, claiming it borrowed too heavily from his "You Need Love," and Zeppelin reached an agreement with him, with Dixon using the money he received to set up a program that provided musical instruments for schools. A cornerstone of heavy rock, the tune -- which was the theme song for the long-running British countdown show "Top of the Pops" in the 1970s and '80s -- has been covered by dozens of artists over the years, from Tina Turner and Ben Harper to Prince, Slash, Leona Lewis, Train's Pat Monahan, the London Symphony Orchestra and Jane's Addiction.

Get your "Idol" fix on MTV News' "American Idol" page, where you'll find all the latest news, interviews and opinions.

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Source: http://www.mtv.com/news/articles/1610709/20090505/led_zeppelin.jhtml

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Stone Temple Pilots Reunited In Hopes Of Opening For Led Zeppelin, Bassist Says

'If time allows, there will definitely be new music,' Robert DeLeo adds of STP's future.
By Chris Harris


Stone Temple Pilots' Robert DeLeo and Scott Weiland
Photo: Charley Gallay/ Getty Images

There are a number of reasons why Stone Temple Pilots decided to reunite after nearly five years apart — some are obvious, and others, not so much.

Of course, the financial windfall of reviving the grunge stalwarts for an extensive U.S. tour was too good to pass up, and bassist Robert DeLeo readily admits as much. And then there are the fans, the ones who had been with STP since the very beginning as well as those who discovered the band only after it first split back in 2003 and who, woefully, have yet to catch the Pilots live.

On a more personal level, though, Stone Temple Pilots' resurrection was purely selfish, and very much an anticipatory (not to mention optimistic) move on the band's part: If, after the months and months of rumors and denials, there ever is a full-on Led Zeppelin reunion tour, STP wanted to be ready to offer their services as an opening act.

"Believe me, that was one of the reasons," laughed DeLeo. "We thought, 'We should get together now, in case Zeppelin does tour.' I'm serious, man. That would be one hell of a bill: STP and Led Zeppelin. I mean, we could play a doghouse, out in the middle of the ocean, and if I got to play with Zeppelin, that would be a highlight of my life."

Yes, DeLeo — and the rest of the band — had several reservations about raising STP from the dead — a feat DeLeo jokingly referred to as "Mission Impossible." For the band's members, the idea of regrouping was terrifying at first, but with time, the boys settled their differences and tried to think positive.

"For me, it was about putting down some of the things that I was used to getting bitten by," explained the bassist — who, with guitar-playing brother Dean DeLeo, has been collaborating with Peter Frampton on material for his next LP. "After you get bitten, it's hard to go back. I wanted to go into this with an open frame of mind and a positive attitude and just have fun with it. We should have fun with it, which God knows we didn't always have with our career when we were younger. If that's all I can say, and that's what I can get out of this reunion, great.

"I think I speak for all of us when I say there's a lot of unfinished business that we didn't get around to the first go," he continued. "Enough time has gone by, and it feels really good to be back. I don't really want to put too much thought into how it feels — I'm just kind of going with it and keeping a good positive attitude about it. I just needed to get over the things that we all needed to get over, and that's been working so far. If everyone shows up and does this thing, I think it's going to be really amazing."

DeLeo claims that during recent rehearsals, STP were "sounding as good as ever," and he credits sobriety as part of the reason the band's in tip-top shape.

"My brother's going on four years of sobriety," he said. "We have a lot more clarity in the band now, and I think with clarity comes appreciation. I saw that the other night, when we played [a secret gig in Los Angeles]. I saw it in my eyes, and in the eyes of the rest of the band. There's a lot more rock in this band now."

As for an STP record, DeLeo is not 100 percent sure that's going to happen. The goal for STP over the next few weeks, he said, is to reacquaint themselves with their songbook and prepare for their return to the road. Once the band is back in that mindset, the bassist said new STP material is very possible.

"I've always got stuff written, and there's always a long list of songs that are always there — it's a matter of timing," DeLeo said. "If time allows, there will definitely be new music. I think it would be silly not to release new music. I'd like to believe we still have a writing relationship, but the first step is getting reacquainted with what we know."

While STP were on hiatus, frontman Scott Weiland teamed up with Velvet Revolver, and the DeLeo brothers joined forces with Filter's Richard Patrick for Army of Anyone — who are now on hiatus after releasing a poorly received self-titled LP. Does DeLeo foresee an AOA reunion somewhere down the line?

"You never know," he said. "It's just like STP — I didn't know if I was going to return. Whether we get back together and do anything, I think we made a great record, bottom line. That's all that matters to me. If we make another one, I want to make sure it's great, and that applies to STP and anything I do. But I was pretty heartbroken over [the feeble response to AOA's album]."

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Source: http://www.mtv.com/news/articles/1586020/20080422/stone_temple_pilots.jhtml

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Usher's VMA Performance Proves He's Still King: Making The Show

Singer held back at rehearsals, harnessing his energy for Sunday's show.
By Jayson Rodriguez


Usher performs at the 2010 VMAs
Photo: Kevin Mazur/ Getty Images

The King is back!

Usher thrilled the 2010 MTV Video Music Awards on Sunday night with his stunning combination performance of "OMG" and "DJ Got Us Fallin' in Love."

The singer moved and grooved, proving that he's the R&B star that everyone pays attention to for the big moments.

The Moonmen have all been handed out and the stars have gone home, but there's plenty of 2010 MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com.

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Source: http://www.mtv.com/news/articles/1647708/20100913/usher.jhtml

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