Usher Dazzles On The VMA Stage With 'DJ' And 'OMG'

Ush combined his legendary dance skills with spectacular special effects.
By Rochell D. Thomas


Usher performs at the 2010 VMAs
Photo: Kevin Mazur/ WireImage

Call it what you will: talent, swag, skills. But one thing's true about Usher Terry Raymond IV: When he steps on the dance floor, some mysterious thing comes out of him and puts the G in groove. After he was tapped to perform at the 27th annual MTV Video Music Awards, executive producer Dave Sirulnick challenged Usher to "show why you're king," and the 31-year-old Grammy winner didn't disappoint.

As predicted by the lucky few who got a peek at Thursday's practice performance for his hit "OMG," Ush pulled off moves that would make the late great Michael Jackson jealous in a mammoth stage production that included more special-effects bells and whistles than a summer blockbuster.

Usher opened the performance with "DJ Got Us Fallin' in Love," perched two flights above the stage on a ledge surrounded by blinding green laser lights. Then he slid, with the help of barely visible wires and mounts, down a flight, all the while popping and locking. When the father of two finally ticked his way down to stage level, he was surrounded by an army of dancers also clad in black suits with white stripes designed to toss and catch special effect lights.

Directed by Anthony Mandler, Usher's "OMG" clip earned Best Male Video, Best Dance Music Video and Best Choreography Moonman nominations. During the pre-show, Lady Gaga's "Bad Romance" beat it in the Best Dance category, where Raymond was, for many, the lead contender.

If Usher was disappointed, he didn't let it show. When he launched the "OMG" portion of his performance, the stage seemed to disappear, as red laser lights moved forward in blinding configurations spelling out O.M.G. and Usher's name. More dancers lowered from the ceiling on Cirque du Soleil-esque contraptions, dipping in and out of the red beams. Such a 3-D light display could probably have been seen from the moon, if it weren't for the roof of the Nokia Theatre.

Usher ended his set standing, head back, with his arms outstretched in the Jesus pose. He didn't say a word. Didn't need to.

The Moonmen have all been handed out and the stars have gone home, but there's plenty of 2010 MTV Video Music Awards news, interviews, behind-the-scenes scoop, party reports and more still to come, so keep it locked on MTVNews.com.

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Usher's VMA-Nominated 'OMG' Inspired By '80s Sci-Fi Character

Director Anthony Mandler wanted to let R&B superstar take viewers 'on a journey, not a ride.'
By Jayson Rodriguez


Usher in "OMG"

For a video as forward-thinking as Usher's "OMG" -- with its laser beams and light flashes -- director Anthony Mandler actually looked back for inspiration.

"The original idea was kind of Max Headroom," Mandler told MTV News, citing the animated science-fiction character from '80s British TV. "That's where it came from — the TV flickering on and there's this character. We just wanted to bring it up to date."

"Max Headroom was always in his room," he continued, "this unidentifiable room, '80s shapes. I used that for inspiration."

The formula worked: "OMG" is among the Best Male Video nominees for the 2010 MTV Video Music Awards. The clip is up against Drake's "Find Your Love," Jason Derülo's "In My Head," Eminem's "Not Afraid" and B.o.B's "Airplanes." Mandler is a multiple nominee, having also helmed Drake's video.

"OMG" is the first time Usher and Mandler — who has worked with Jay-Z, Mary J. Blige and Rihanna — collaborated on a project.

Usher said he knew the video would be a challenge and wanted to make sure the director was up to the task.

"When I first shot the song to him, I was like, 'Are you sure you're gonna be able to catch this one?' And he said, 'I got it,' " Usher explained.

"We wanted to bring Will.I.Am (the song's producer) into my world," he continued. "Obviously, the international sound and look and feel has already been set, but we wanted to do something theatrical, fun and energetic to show us working off of each other and playing off of each other as artists, but the cinematography would be artistic and incredible."

Mandler described the visuals as "Hitchcock-ian." Though the style of the shot was important to the director, he had a simpler goal in mind: to capture Usher in his element. He said the key to the clip was simply letting Usher's talent take over.

"The concept was to create a world where we put Usher in a space where he does what I think he does better than anyone else in the world, which is perform at a level and magnitude of a superstar and take us, the viewer, whether audible or visually, on a journey, not a ride," the director said. "And, in that, I wanted to create an unpredictability, so one set leads to another and another, and you never know what's gonna happen. Along the way, Usher becomes our guide. We're so focused on him, we don't notice the change. The thing is unfolding little by little, and you can't quite see far enough ahead to know what's gonna come next."

The 27th annual MTV Video Music Awards will be broadcast live from the Nokia Theatre in Los Angeles on September 12. The party starts with MTV News' VMA Pre-Show at 8 p.m., followed by the main event at 9 p.m. ET. Fans can go to VMA.MTV.com (or text VMA to 97979 if they are Verizon subscribers) to vote for Best New Artist from now through September 12.

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'Today' Show Hosts Dress As Lady Gaga, Justin Bieber For Halloween

Segment also featured cameos from Will Ferrell and Tina Fey as their 'Megamind' characters.
By Jocelyn Vena


Meredith Vieira as Lady Gaga on the "Today" show
Photo: NBC

This year's "Today" show Halloween segment may have been short on Matt Lauer, but the show made up for it thanks to cameos from Will Ferrell and Tina Fey as their "Megamind" characters. But even those superstars were upstaged by some crafty costumes worn by the "Today" show hosts Friday morning (October 29).

In what turned out to be one complex segment, the Halloween fun started with Lauer and Roker looking at "Megamind" footage in a pretaped segment. Then the story went a bit zany. As Roker escorted a Clark Kent-looking Lauer out of the building, Lauer used his highly sensitive hearing to sense that Fey was in trouble.

In order to become Superman, he entered a phone booth to call Ferrell's Megamind to meet up with him, and out came Roker, in Lauer's place, as Superman. Ferrell and Roker then rushed to the side of Fey (dressed as "Megamind" reporter Roxanne Ritchi) to save her and toss to an old-timey newsreel, in which Ann Curry made her entrance as Amelia Earhart, who apparently had been hiding out in 30 Rock for the better part of a century.

Once she reemerged in the modern world, Earhart said she'd noticed that a lot has changed. Like what? Well, music. With that, Natalie Morales came out playing a convincing Justin Bieber, all the way down to the dance moves during "Baby."

But it was Meredith Vieira as the "monster of all monsters," Lady Gaga, dressed in the Armani orbit gown the singer wore to the Grammy Awards earlier this year, that really upped the production value. She sang the pop star's hit "Bad Romance," complete with backup dancers.

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Usher Remembers Being A 'Pizza Face' On 'When I Was 17'

'I had really, really bad acne ' he admits in Saturday's episode.
By Mawuse Ziegbe


Usher on "When I Was 17"
Photo: MTV News

He's known as one of the smoothest R&B sensations to grace the stage, but when Usher was 17, he grappled with a far less flattering image.

"I went through this phase where I had really, really bad acne," the singer admits on the latest episode of "When I Was 17," premiering Saturday at 11 a.m. Usher, who was 17 in 1995, reveals with a grin that his nickname was "Pizza Face."

"His acne was so horrible," recalled one of Usher's more blunt friends, Keith. "His face was so jacked up."

Music mogul and producer Jermaine Dupri remembered how the entertainer's spotty complexion led him to shy away from the spotlight.

"He didn't want to go out. He wanted to stay in," Dupri says. "He was a little ashamed of what was going on with his face."

The singer went to extreme, and ultimately unsuccessful, lengths to disguise his breakouts.

"As a dude, you're not gonna put makeup on your face, right?" Usher said. "I tried that, it didn't even work."

He may have experimented with cosmetics and spent a few more nights at home but the multiplatinum star didn't let his acne hold him back from wooing the ladies. "I was 17, so I would still try to talk to girls [and] get past it," Usher reasoned.

He even had some smooth lines to drop when he wanted to draw attention away from his skin. " 'Don't look at that, look at my eyes, baby. I'm trying to say something real serious to you right here,' " Usher recalled, reenacting his complexion-deflecting dating moves. "I know I have pizza face, I don't care."

In the end, his skin cleared up and the singer said it was just a matter of riding out a rite passage that many teens are forced to endure.

"This is something that all 17-year-olds have to deal with," Usher said. "You can't run away from it."

— this week featuring B.o.B, Usher and Ne-Yo — premieres Saturday at 11 a.m. on MTV

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