Black Eyed Peas, Usher, Slash Light Up Super Bowl XLV Halftime Show

Foursome is joined by special guests and tons of lights for smash-hit medley.
By Mawuse Ziegbe


Black Eyed Peas perform during the Super Bowl XLV halftime show
Photo: Getty Images

The Black Eyed Peas promised a party at the Super Bowl halftime show on Sunday (February 6), and the pop supernovas definitely delivered, with a performance teeming with lights, dancers and surprise appearances from celebrity pals.

Following a Chatter.com commercial that showed animated versions of the Peas showing off their social-media skills, the group kicked things off with their 2009 smash "I Gotta Feeling," descending from the ceiling on illuminated platforms onto a stage surrounded by a cluster of dancers clad in white bodysuits. The foursome led the team of fist-pumping troops in "Tron"-like getups, with Taboo sporting an outfit covered in flashing lights, will.i.am rocking a shiny hairpiece, Apl.de.ap wearing huge bright studs and Fergie vamping it up in bling-laden shoulder pads.

When the speaker-busting bass of "Boom Boom Pow" dropped, the dancers dispersed across the field to create arrow-shaped formations as the glow-in-the-dark lights on their suits illuminated the stadium. Then rumored surprise guest Slash of Guns N' Roses rose from below the stage for a "Sweet Child O' Mine" duet with Fergie. The GNR great rocked a finger-searing solo in a studded version of his signature black top hat as more angular platforms and dancers moved across the gridiron. The platforms were bearing scores of marching-band musicians who blasted their horns and pounded away on their drums as the Peas went into "Pump It" and blue lights splashed across the production.

Quick streams of fog heralded the arrival of the Peas' second surprise guest, Usher, who swooped in on a long chain to bust out his will.i.am-assisted joint "OMG." Rocking a sparkly collar on an otherwise all-white ensemble, the R&B hitmaker cranked out several counts of energetic choreography, enlivening moves from his "OMG" video and at one point jumping over Will and landing in a split.

A spray of pyro ushered in the collective's breakout 2003 hit "Where Is the Love?" as the oddly shaped platforms spelled out the word "Love" in bright-red letters. The team of dancers, which appeared to have multiplied to over 100, formed hearts across the field as will updated the lyrics of the smash with lines like, "Obama, let's get these educated."

Then the group jumped ahead to their most recent single, 2010's "The Time (Dirty Bit)," as several back up hoofers rocking cubed helmets joined the Peas onstage and dancers lined up along the gridiron to simultaneously bust out the Running Man, a move which drew cheers from the crowd.

The platinum-selling Peas wrapped up the performance with a reprise of "I Gotta Feeling," as the quartet triumphantly signed off amid of blitz of fog, firepower and flashing lights.

Ripping the halftime show was clearly a touching moment for will, who tweeted beforehand, "Me and apl started the peas when we were 16 yesterday we were dreamin now were livin it. Wow. I'm not crying out of sadness or nervousness its joy and pride and memories and the journey."

And once the crew left the stage, the frontman was not only proud, but pumped. "That was so freakin sick," he wrote. "Wow...!!!"

What did you think of the Black Eyed Peas' Super Bowl performance? Let us know in the comments!

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Source: http://www.mtv.com/news/articles/1657356/black-eyed-peas-usher-slash-super-bowl.jhtml

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Janet Jackson Thrills Fans With Greatest Hits, Michael Tribute At Radio City

Singer covered songs ranging from classic 'Pleasure Principle' to 2008's 'Feedback' at New York show.
By Vaughn Schoonmaker


Janet Jackson (file)
Photo: Christopher Polk/ Getty Images

NEW YORK — Often imitated, never duplicated, Janet Jackson's outbursts of meticulous choreography, sassy exclamations and smoldering gazes into the audience kept them on their feet for the entire two-hour set of her greatest hits at Radio City Music Hall. Monday night marked the last of three sold-out shows at the historic venue on her monumental Number Ones: Up Close and Personal Tour.

Up-and-coming boy band Mindless Behavior opened the show with songs including "#1 Girl," "Future" and their debut single, "My Girl." With their Usher-esque dance moves and shouts like "Where the ladies at?" the boys brought the tween girls out of hiding, judging by the shrill screams escaping various corner of the music hall.

At 9:00 sharp, the lights went down and Janet's fans were on the edge of their seats, watching music videos for "The Best Things in Life Are Free" and "Rhythm Nation" projected on big screens across the venue. A small shadow drifted toward center stage, and when the colorful lights came up, Jackson, wrapped in a shoulder-padded catsuit, complete with slick short hair, blasted into "The Pleasure Principle," dancing as hard and intensely choreographed as she did when the song first came out in the 1980s.

With barely a spare second between songs, Janet dazzled her way through her biggest hits, including "Miss You Much," "All for You" and "Nasty," and more recent hits like 2008's "Feedback."

Videos displayed during Jackson's costume changes included vintage clips from "Diff'rent Strokes," a funny scene from "Poetic Justice" where Jackson slyly rejects the advances of Tupac Shakur's character, and a rather heavy scene, as Jackson's character in "Why Did I Get Married" destroys her husband's house with a golf club, screaming hysterically.

Considering the tough couple of years the Jackson family has faced, the dark moments in the video seemed fitting, and everyone was beside themselves with bittersweet joy when Michael Jackson's face popped up on the big screen and she performed their hit single "Scream."

Janet emerged for her encore in a tight white one-piece disco suit, and performed "Diamonds," "Make Me" and "Together Again," which appeared to be the biggest hit of the evening. As Jackson graciously bowed out, her straight face transitioned into a smirk, suggesting that despite the hard times she has experienced recently, we can expect to see this singing and dancing pop legend shine far into the future.

"Its amazing!" Janet fan Elena Mercantini gleamed afterward. "It's like she's still 20 years old!"

"She's hot, she's amazing and she's still got it after all these years" added Alison Klinger of Long Island. "Best concert I've ever been to!"

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Source: http://www.mtv.com/news/articles/1660385/janet-jackson-radio-city-concert.jhtml

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Michael Jackson's 'Thriller': Story Behind The 'Glee' Cover

MJ classic is mashed up with the Yeah Yeah Yeahs' 'Heads Will Roll' for post-Super Bowl episode.
By Aly Semigran


"Glee"
Photo: FOX

Madonna, the Beatles, the Rolling Stones and now, finally, Michael Jackson. The cast of "Glee" has covered plenty of icons during their first two seasons, but it's taken 33 episodes to get around to the King of Pop.

With a huge catalog of Jackson songs, the singing, dancing students of McKinley High paid homage to the late singer with one of his biggest staples (and, arguably, the greatest music video of all time) with their take on "Thriller."

The groundbreaking single from Jackson's best-selling album of the same name was mashed up with the Yeah Yeah Yeahs' "Heads Will Roll" for the post-Super Bowl episode (titled "The Sue Sylvester Bowl Shuffle"), featuring a zombie-fied "Glee" cast.

Bound to become a smash all over again (though with its nonstop rotation at Halloween parties and wedding receptions until the end of time, it's never truly gone away), here's a brief history of the dance/pop classic.

Released on January 23, 1984, "Thriller" was the seventh, and final, single to be released from Jackson's smash record. According to the RIAA, the album (released by Epic Records) has gone gold 29 times, narrowly edging out the Eagles' Greatest Hits 1971-1975 for the title of best-selling album of all time.

In 2009, MTV News estimated that the Thriller album was poised to go triple diamond, meaning 30 million records sold in the U.S. alone.

After Thriller's other singles (including "Billie Jean," "Beat It" and "Wanna Be Startin' Something") dominated the charts, it was time for the spooky, undeniably original track to take over. The song "Thriller" also appeared on many of Jackson's other albums, including the compilations HIStory and Number Ones.

Clocking in at a little under six minutes (though the radio edit was closer to four-and-a-half), the song features pop-music mainstays like synthesizers but shakes things up with its spooky sound effects, including creaking floors, howling and thunder.

The song was produced by Quincy Jones and written and composed by Rod Tempterton and spent 14 weeks on the Billboard Hot 100, peaking at #4.

But it's the music video for "Thriller" that truly made it the phenomenon it was in the '80s and continues to be today. Less a music video than a mini-motion picture, the video (over 13 minutes long and directed by John Landis) won three MTV Video Music Awards and has been named the best music video of all time by many outlets, including VH1 for the special "VH1: 100 Greatest Videos."

The chiller features Jackson in that iconic red leather jacket on a date with his girlfriend (played by Ola Ray) before things go terribly awry. After all, as Jackson (whose disclaimer at the start of the video reads, "This film in no way endorses a belief in the occult") sings in the opening line, "It's close to midnight and something evil's lurking in the dark." Cue werewolves, zombies, Vincent Price's soliloquy and one of the most memorable dance sequences ever.

The video was (no pun intended) a monster hit. As the Los Angeles Times notes, "At the height of the song's popularity, MTV would run the 14-minute 'Thriller' video twice an hour."

Choreographed by Jackson and Michael Peters (who, as the LA Times also reported, appears in the video as one of the zombies) and with makeup by Oscar-winner Rick Baker (also an undead "Thriller" extra) was made with a huge budget of an estimated $500,000.

Still, the efforts paid off. Landis (who told the "Today" show back in 2009 that no one wanted to give them the funds to make the risky vid) made the accompanying 45-minute documentary about the venture, called "The Making of Thriller." Featuring the behind-the-scenes wizardry, as well as the music video in full, it would go on to move more than 10 million copies.

Since then, the signature song and video have seen their share fair of tributes in movies (notably in the 2004 comedy"13 Going on 30") and TV ("South Park," "Family Guy," "30 Rock," among others), not to mention the countless flash mobs that have gone viral. (Remember the prisoners in the Philippines who became overnight phenomenons on YouTube?)

Even with the "Glee" number, this likely won't be the last incarnation of "Thriller." Billboard reported in October that a "Thriller" film is in the works. With a plot allegedly revolving around Price's narration, Kenny Ortega, who directed Jackson's last effort, "This Is It," will reportedly helm the project.

Since Jackson's untimely passing on June 25, 2009, the song and video's legacy continue to live on. In the week following Jackson's death, "Thriller" was the best-selling track in the U.S., with sales of 167,000 copies on the Billboard Hot Digital Singles chart.

Then, in December 2009, "Thriller" was the first music video to ever be inducted into the National Film Registry by the Library of Congress. It seems "no mere mortal can resist ... the thriller" after all.

What did you think of the "Thriller" mash-up on "Glee"? Let us know in the comments!

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Source: http://www.mtv.com/news/articles/1657395/glee-thriller.jhtml

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Dimmu Borgir Release Live DVD; Plus Led Zeppelin, Brujeria, & More News That Rules, In Metal File

'It shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums,' guitarist says.
By Chris Harris


Dimmu Borgir's Silenoz
Photo: Nuclear Blast

On October 14, Dimmu Borgir — who just happen to be Demi Lovato's favorite black-metal band — will release a a three-disc DVD/CD set called "The Invaluable Darkness," the band's first visual offering since 2002's "World Misanthropy." Boasting live footage shot last year, during gigs in Norway, Germany and England, "The Invaluable Darkness" demonstrates the unbridled furor of seeing Dimmu live, guitarist Silenoz said.

"It shows the honest rawness and atmospheric darkness of our concerts," the Norwegian told Metal File last week, after dismissing recent online rumors that his band's next LP would be coming out through Roadrunner Records. "Basically, it shows the intense live side of the band, as opposed to the perfection and the cleanness of how we sound on our albums. It's just a different side to the band, basically."

Dimmu Borgir began thinking about "The Invaluable Darkness" two years ago, but didn't start capturing footage until last summer, Silenoz explained, adding that the band will use its current stint on the Blackest of the Black Tour — which got underway Thursday night in Miami Beach, Florida, and also features the tour's founder, Danzig, along with Moonspell, Winds of Plague and Skeletonwitch — to promote the DVD. Dimmu Borgir will not, however, use the tour to write material for their next LP.

"It's our first time on Blackest, but Glenn [Danzig] had wanted to bring us out before [on the tour], but we weren't available until now," Silenoz said. "We've done Ozzfest before, but we're looking forward to this tour more. We did the main stage on Ozzfest, playing in f--_ing broad daylight. This tour will let us play in bigger places, but at the same time showcase more of what the band's about, visually. We are going to concentrate on the tour for now. Some years ago, we tried putting [material] together on the road, but once we got home, we listened back to it, and were like, 'What the f--- is this?' So, we just scrapped it all. We find it's so much better to totally focus on one thing at a time, and then, when that's over, you move on to the next [thing]. We don't really feel like we need to rush things, anyway, so we'll just take our time, and it's going to be what it's going to be."

Dimmu Borgir hope to reconvene in late December to begin writing the follow-up to 2007's diabolically titled In Sorte Diaboli. "We have some ideas floating around already, but we haven't arranged any material yet," he said. "We'll start doing that once the touring for this DVD is over." The band's frontman, Shagrath, is also due to marry soon — he's engaged to actor Nicolas Cage's ex-girlfriend, Christina Fulton, so that may have an effect on when Dimmu finish their next album, which Silenoz said could be out this coming spring.

"I'm sure [Shagrath] won't let anything get in the way [of] the band — I think, I hope," the guitarist said. "We don't need a Yoko [Ono] situation."

While Dimmu have been at it going on 15 years now, Silenoz said he doesn't think their forthcoming material will be much of a departure from their previous black-metal offerings.

"And we have always been about more than just that term, 'black metal,' " he said. "Luckily for us, the older you get, the less concerned you get with the categorization and putting labels on your music. Things start getting more and more limitless with us, and we know that we operate within certain frames. But we try not to analyze things too much, because it's just going to be working against you in the end. When we write new stuff, we don't think about what we should write — we just get together, and put material together, and if we like it, we keep it. That's the formula, if we even have a formula."

Dimmu Borgir are definitely getting older — guitarist Galder will be missing Blackest because of a recent addition to his family, and Susperia's Cyrus will be filling in for him; while former Vader drummer Dariusz Brzozowski takes over for Hellhammer, who had to leave the band in 2007 after sustaining a neck injury that's now limited the use of his right arm. As Dimmu has gotten on in years, Silenoz admits they have failed to keep pace with some of the more extreme black-metal acts that have followed in their wake.

"We helped open doors for the more extreme bands out there," Silenoz said. "I'm sure we helped open doors for bands like Watain, [insomuch as] people that had maybe started listening to us first then went on to the more extreme stuff. Let's face it — we're not as extreme as Watain and other bands like that, but we're fine with that."

The Blackest of the Black Tour continues through November 10 in San Francisco.

The rest of the week's metal news:

Dimmu's tourmates on Blackest, Winds of Plague, have announced ex-Azusa drummer Art Cruz has joined their ranks — he replaced Jeff Tenney. According to the band's blog, "Art has already added a new spark to the band and has provided us with a solid backbone that will allow us to continue our rampage stronger than ever." ...

What the world really needs is another Led Zeppelin box set, so, on November 4, Rhino Records will issue the Led Zeppelin Definitive Collection Mini LP Replica CD box set. For just $200, you'll get 1969's Led Zeppelin, 1969's Led Zeppelin II, 1970's Led Zeppelin III, 1971's Led Zeppelin IV, 1973's Houses of the Holy, 1975's Physical Graffiti, 1976's Presence, 1976's The Song Remains the Same, 1979's In Through the Out Door and 1982's Coda, as mini-LP replicas, with artwork from the original U.K. LP sleeves. Now, you know what you can get your dad for Christmas. ...

Former Killswitch Engage frontman Jesse Leach and current Killswitch Engage guitarist Adam Dutkiewicz have teamed up for a new project they're calling Times of Grace, and they've already started working on material for their debut album. According to Leach, "We have two songs to go and we will be finished with all of the vocals. Adam has taken lead vocals in three songs as of yet and he is doing a great job. We also worked on a track yesterday that is so epic — we trade vocals and do two different melodies at the same time. This album went from a melodic metal album to an epic mix of metal/rock/pop/shoegaze and punk. So all of your metal expectations will be incorrect — we are pushing genre boundaries." To quote "Meet the Parents," we'll look forward to that, Greg. ...

The Funeral Pyre and Early Graves will be hitting the road together next month, starting November 7 in South Lake Tahoe, California. Dates are booked through November 21 in Hollywood. ...

The latest incarnation of Brujeria, which features Carcass frontman Jeff Walker and Napalm Death's Shane Embury, have lined up several U.S. dates for this winter. The band will begin its brief trek November 28 in Denver, and wrap things up in Dallas on December 7. ... Demiricous will be touring with the Gates of Slumber starting November 9 in Denver, for a jaunt that's scheduled to run through December 6 in Indianapolis. ...

Nearly three years after Roadrunner Records' Roadrunner United concert, which took over the Nokia Theater in New York's Times Square, the label is now releasing footage from that special night as "Roadrunner United: The Concert." The DVD, which hits stores December 9, will boast two discs and 24 live tracks, including Life of Agony's "River Runs Red," King Diamond's "Abigail," Killswitch's "My Last Serenade," Type O Negative's "Black No. 1" and Sepultura's "Refuse/Resist." ...

According to Blabbermouth, Verrot, bassist for Swedish black-metal outfit Elimi, committed suicide on October 3. In a statement, the band said, "Verrot was a very good friend, brother, an excellent bass player/musician and an important part of Elimi; we respect his decision and hope he'll find his way with the dark gods of Chaos. Let your black flame be a part of what brings forth the day of wrath."

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Stone Temple Pilots Reunited In Hopes Of Opening For Led Zeppelin, Bassist Says

'If time allows, there will definitely be new music,' Robert DeLeo adds of STP's future.
By Chris Harris


Stone Temple Pilots' Robert DeLeo and Scott Weiland
Photo: Charley Gallay/ Getty Images

There are a number of reasons why Stone Temple Pilots decided to reunite after nearly five years apart — some are obvious, and others, not so much.

Of course, the financial windfall of reviving the grunge stalwarts for an extensive U.S. tour was too good to pass up, and bassist Robert DeLeo readily admits as much. And then there are the fans, the ones who had been with STP since the very beginning as well as those who discovered the band only after it first split back in 2003 and who, woefully, have yet to catch the Pilots live.

On a more personal level, though, Stone Temple Pilots' resurrection was purely selfish, and very much an anticipatory (not to mention optimistic) move on the band's part: If, after the months and months of rumors and denials, there ever is a full-on Led Zeppelin reunion tour, STP wanted to be ready to offer their services as an opening act.

"Believe me, that was one of the reasons," laughed DeLeo. "We thought, 'We should get together now, in case Zeppelin does tour.' I'm serious, man. That would be one hell of a bill: STP and Led Zeppelin. I mean, we could play a doghouse, out in the middle of the ocean, and if I got to play with Zeppelin, that would be a highlight of my life."

Yes, DeLeo — and the rest of the band — had several reservations about raising STP from the dead — a feat DeLeo jokingly referred to as "Mission Impossible." For the band's members, the idea of regrouping was terrifying at first, but with time, the boys settled their differences and tried to think positive.

"For me, it was about putting down some of the things that I was used to getting bitten by," explained the bassist — who, with guitar-playing brother Dean DeLeo, has been collaborating with Peter Frampton on material for his next LP. "After you get bitten, it's hard to go back. I wanted to go into this with an open frame of mind and a positive attitude and just have fun with it. We should have fun with it, which God knows we didn't always have with our career when we were younger. If that's all I can say, and that's what I can get out of this reunion, great.

"I think I speak for all of us when I say there's a lot of unfinished business that we didn't get around to the first go," he continued. "Enough time has gone by, and it feels really good to be back. I don't really want to put too much thought into how it feels — I'm just kind of going with it and keeping a good positive attitude about it. I just needed to get over the things that we all needed to get over, and that's been working so far. If everyone shows up and does this thing, I think it's going to be really amazing."

DeLeo claims that during recent rehearsals, STP were "sounding as good as ever," and he credits sobriety as part of the reason the band's in tip-top shape.

"My brother's going on four years of sobriety," he said. "We have a lot more clarity in the band now, and I think with clarity comes appreciation. I saw that the other night, when we played [a secret gig in Los Angeles]. I saw it in my eyes, and in the eyes of the rest of the band. There's a lot more rock in this band now."

As for an STP record, DeLeo is not 100 percent sure that's going to happen. The goal for STP over the next few weeks, he said, is to reacquaint themselves with their songbook and prepare for their return to the road. Once the band is back in that mindset, the bassist said new STP material is very possible.

"I've always got stuff written, and there's always a long list of songs that are always there — it's a matter of timing," DeLeo said. "If time allows, there will definitely be new music. I think it would be silly not to release new music. I'd like to believe we still have a writing relationship, but the first step is getting reacquainted with what we know."

While STP were on hiatus, frontman Scott Weiland teamed up with Velvet Revolver, and the DeLeo brothers joined forces with Filter's Richard Patrick for Army of Anyone — who are now on hiatus after releasing a poorly received self-titled LP. Does DeLeo foresee an AOA reunion somewhere down the line?

"You never know," he said. "It's just like STP — I didn't know if I was going to return. Whether we get back together and do anything, I think we made a great record, bottom line. That's all that matters to me. If we make another one, I want to make sure it's great, and that applies to STP and anything I do. But I was pretty heartbroken over [the feeble response to AOA's album]."

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Source: http://www.mtv.com/news/articles/1586020/stone-temple-pilots-reunited-tour-with-zeppelin.jhtml

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Chris Cornell Filling In For Robert Plant On Led Zeppelin Tour? That's News To Him

'I have not been approached to fill in for Robert Plant on the Zeppelin tour, but that isn't to say I won't be,' singer says.
By Chris Harris


Chris Cornell
Photo: MTV News

Former Soundgarden and Audioslave frontman Chris Cornell has spoken out for the first time about rumors that he's been asked to fill in for Robert Plant on a proposed Led Zeppelin reunion tour. The trek would feature original guitarist Jimmy Page, original bassist John Paul Jones and Jason Bonham taking over on drums for his late father, John Bonham.

Cornell has been mentioned — along with Foo Fighters frontman Dave Grohl, former Van Halen frontman Sammy Hagar, White Stripes mastermind Jack White and Alter Bridge's Myles Kennedy — as a potential Plant fill-in. Plant has already said that he wouldn't take part in the tour.

"I have not been approached so far to fill in for Robert Plant on the upcoming Zeppelin tour, but that isn't to say I won't be," Cornell told MTV News. "I've heard that from about 200 people now, and it might be one of those situations where it's just an online rumor or it might be true. But if you see anyone from Led Zeppelin around, let me know. I think I should actually fill in for Jimmy Page on the Robert Plant/ Alison Krauss tour."

Cornell's denial comes just a day after Aerosmith guitarist Brad Whitford confirmed reports that frontman Steven Tyler recently met with Zeppelin for an impromptu jam session. "They did it for fun," Whitford said during an appearance on the syndicated show "Todd N Tyler Radio Empire." "I actually think Jimmy wanted Steven to come over and play a little bit because I think he was trying to light a fire under Robert."

Rumors of a Zeppelin reunion tour have abounded since the iconic band played a single reunion set last year at London's O2 Arena. Twisted Sister frontman Dee Snider added fuel to the fire last month when he revealed that the group was thinking of touring, with or without Plant.

According to Snider, the rest of the band told Plant, " 'We're all rehearsed, we're ready to go. Here's a gazillion dollars on the table. If you don't do it, we're going out with this kid [Myles Kennedy].' "

"And he can sing the sh-- out of Zeppelin," Snider added. "They're going to hope that Robert, at the last minute, will go, 'OK,' and step in."

In a recent interview, Jones told BBC Radio Devon that a new singer was being sought to take over for Plant. "We are trying out a couple of singers," he said. "We want to do it. It's sounding great, and we want to get on and get out there."

But Jones insists that he, Page and Bonham aren't interested in finding a Plant clone. "It's got to be right," he said. "There's no point in just finding another Robert. You could get that out of a tribute band, but we don't want to be our own tribute band. There would be a record and a tour, but everyone has to be onboard."

Of course, even if Zeppelin were to approach him, Cornell might be too busy to take over vocals for the band. His upcoming Timbaland-produced solo LP, Scream, will be released within the next few months. Cornell told MTV News last month that some of his fans might consider Scream something of a departure, but he doesn't see it that way.

"It makes me happy that there's this perception that I have a group of fans that I'm now sort of throwing a curve at and what their reaction will be," he said. "But I've been in this situation so many times already. When I put out [1999's] Euphoria Morning, my main goal was to create an album that sounded like nothing I'd done in Soundgarden, and I did that. I also had that with Temple of the Dog, where I showed up with songs that weren't necessarily riff-based. And then, of course, the pairing of me and members of Rage Against the Machine had everyone sort of speculating about what that would sound like.

"It feels like I've done this so many times that when it's presented to me as being a departure, I feel that's a misconception," he added. "I feel like that's my theme at this point."

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Source: http://www.mtv.com/news/articles/1598367/chris-cornell-debunks-led-zeppelin-rumors.jhtml

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Lady Gaga Teams Up With Google For Fan Interview

Pop singer posts video message inviting fans to ask her questions.
By James Dinh


Lady Gaga
Photo: Anita Bugge/ Getty Images

Lady Gaga has always found creative ways to interact with her fans, and her latest idea is no exception. On Tuesday, the pop titan took to YouTube to post a video message inviting her Little Monsters to ask her questions in an upcoming Google interview.

Standing against a brick wall, Gaga greets her fans in the beginning of the black-and-white video, saying, "Hello, Little Monsters. This is Lady Gaga on the road at the Monster Ball. I wanted to let you in on the news that I'll be doing an exclusive Google interview using one of their tools called the moderator, which allows you guys to ask me all the questions that you want.

"Do you have something that you always wanted to know about me or maybe you have questions about my fashion love or even the kind of things I search for on Google. Well, now is your chance!" she continues in the clip.

Fans can participate in the interview by heading to the singer's YouTube channel and submitting videos or written questions. While on the singer's page, they can also vote for the questions they want to hear the most. In addition to the video network, fans can tweet their questions using the hashtag #GoogleGoesGaga. Fans have until the end of the day Friday to submit their entries.

"I'll post the video interview with all my questions next week, so stay tuned. I'll let you know when it goes up, and remember, you're all amazing and I love you so, so much. I'll see you soon. You were born this way," she concludes with her monster growl.

As of Wednesday (March 16), some of the most popular submissions included everything from pre-fame bullies to backstage tour stories.

"You said that in school a lot of people bullied you and didn't like you," one fan wrote. "Now that you are famous, have any of them tried to 'apologize' and become friends? If so, what did you say to them?"

"What do you do with all the T-shirts, stuffed animals, letters, hats and other monster gifts you receive?" asked another fan.

Have you asked Lady Gaga a question yet? Tell us in the comments!

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Source: http://www.mtv.com/news/articles/1660046/lady-gaga-youtube-interview.jhtml

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Michael Jackson Wrongful Death Suit Vs. AEG Can Proceed, Judge Rules

Katherine Jackson and family are pursuing a claim against concert promoter.
By Gil Kaufman


Michael Jackson

When he was alive, Michael Jackson was forever embroiled in a series of complex and expensive-sounding lawsuits. But even in death, the late King of Pop is the subject of major legal action. None could potentially be bigger than the wrongful death lawsuit filed by the pop icon's mother, Katherine Jackson, against concert promotion giant AEG Live.

Reuters reported that a Los Angeles judge ruled on Wednesday that the civil lawsuit can go forward. It will proceed in parallel with the criminal case against Jackson's physician, Dr. Conrad Murray, who has been charged with involuntary manslaughter in connection with Jackson's June 2009 death from an overdose of the powerful surgical anesthetic propofol. Murray is the only person charged in Jackson's death and he is currently awaiting trial in that matter.

Katherine Jackson's lawsuit — filed in September on behalf of her and Jackson's three young children — accuses AEG of being responsible for the medical decisions made by Murray, whose salary was paid by the touring company behind Jackson's attempted "This Is It" comeback shows in London. Los Angeles Superior Court Judge Yvette Palazuelos denied a motion on Wednesday by AEG to dismiss Katherine Jackson's suit, but warned Jackson's attorneys that they would need to show evidence of "fraud, negligent infliction of emotional distress and civil conspiracy" in order to win the case.

The judge has already said she doubts they can prove the latter charge, because the suit does not detail any agreement between Murray and AEG to break the law in providing medical care to Jackson.

"If the object was to get him to rehearsals, I don't see that as a wrongful or illegal act," the judge said. A lawyer for AEG told the judge that the company could not have predicted beforehand that Murray's medical decisions would result in Jackson's death. Court papers also show that AEG "did not choose to hire Murray" and had only participated in negotiations to bring him on as an independent contractor. Michael, who had previously been treated by Murray in Las Vegas, was reportedly the one who suggested the cardiologist serve as his personal, on-call physician during the "This Is It" rehearsals and shows.

Katherine Jackson's attorney recently dropped choreographer Kenny Ortega from the lawsuit based on new information they received about his actions. The next hearing in the case is scheduled for March 22, just six days before Murray is due back in court for his trial. Jackson's father, Joseph, has twice attempted to file a wrongful death suit in the matter, though his is focused on Murray and the Las Vegas pharmacy that supplied the propofol, not AEG Live.

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Source: http://www.mtv.com/news/articles/1657214/michael-jackson-wrongful-death-suit.jhtml

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