Lady Gaga's 'Edge Of Glory': A Pop-Culture Cheat Sheet

In her newest video, Gaga pays homage to classic clips of the 1980s.
By James Montgomery


Lady Gaga
Photo: Getty Images

The first thing that strikes you about Lady Gaga's "The Edge of Glory" video is the fact that it's steeped in the rich, gauzy traditions of classic pop clips and noticeably missing any of the allegories, agendas or, uh, afterbirth of her previous work.

Simply put, "Edge" is an homage to an entire genre of videos that has since gone by the wayside — namely, the eternally soft-focused, ethereal mini-movies of the 1980s, (mostly) pop productions that reimagined cityscapes as dream-like fantasy worlds, where the just-wet streets shone like mirrors, the manholes frothed with steam and no piece of fabric was left un-billowed. These were decidedly big-budget, unapologetically Hollywood things, shot on studio backlots, glowing with million-dollar lighting budgets and given extra grandeur thanks to sweeping, soaring crane shots. They made no attempt to portray reality as anything of the sort — because, much like the songs they accompanied, there was rebellion in that fantasy — or of hiding their excesses. And, not surprisingly, as the decade came to a close, and earnestness began to reign supreme, they slowly disappeared (surely, their big budgets didn't help their fate either).

But with her new clip, Gaga resurrects the epic videos of the '80s once again. And, seemingly, all at once. There truly are too many nods to the classics to list individually, and really, that's beside the point. With "The Edge of Glory," LG is paying tribute not to individual artists, but to an entire genre. Still, there are some whose influence stands above the rest, and we've combined them into one handy cheat sheet. Of course, in keeping with her tradition, not all of them come from the 1980s. Because if there's anything Lady Gaga has proven, it's that she refuses to be fenced in. Here's our list:

Bonnie Tyler: Welsh-born belter whose better-known videos (like "Total Eclipse of the Heart" and "Holding Out for a Hero") practically set the standard for the fantastical pop videos of the 1980s. Soft focus, arching crane shots, achingly staged lighting — they're all there, and they're all on display in "Edge of Glory" too.

Blondie, "Rapture": One of the earliest examples of the ethereal '80s (it was released in 1981), the video follows Debbie Harry on a dream-like traipse through the streets of New York City, complete with guest appearances by Fab Five Freddy and a shuffling Uncle Sam (to name just a few). It makes no sense, because it's not supposed to.

Cyndi Lauper: Gaga's good friend and, along with Madonna, perhaps the premier '80s video star, Lauper's classics — be they the good-natured rebellion of "Girls Just Want to Have Fun" or the moody, arty "True Colors" — both seem like spiritual successors to "Edge."

"Fame": Epochal tale of performing-arts students living and loving in NYC during the early '80s, it's spirit and style have long influenced Gaga's work. With its dance moves and dreamy, freedom-in-the-streets scenes, "Edge" is perhaps the best example of that.

"Flashdance": Prototypical "girl finds escape in dance" film from 1983, it stars Jennifer Beals as a steelworker/dancer who dreams of a better life. Not only are the same sentiments echoed in "Edge," but Gaga pays tribute to the film's most memorable scene — where Beals reclines in a chair and is doused in water — by striking a similar pose outside her apartment building.

George Michael: Before he became known for his various, uh, exploits, Michael was the biggest British pop star of the 1980s, and as such, he churned out some appropriately huge music videos. Two of his biggest — "Father Figure" and "Careless Whisper" — seem to have influenced Gaga with their gauzy, steamy portrayals of late-night life in the big city and, in the case of "Whisper," that balls-out sax wailing.

Michael Jackson: You can't write anything about videos from the 1980s without mentioning MJ, who took the art form to rarely duplicated heights. Usually, his clips were fantastical things, but occasionally, he also got gritty, and it's those moments (videos like "The Way You Make Me Feel" and "Billie Jean") that seem to have stuck in Gaga's mind.

"Newsies": The 1992 Disney musical is most notable for its initial "flop" status and its subsequent rebirth as a cult classic. It tells the story of newsboys on strike in New York City, and in classic scenes like Christian Bale's performance of the song "Santa Fe," it takes that struggle to the twisting fire escapes of the city. Sort of like "Edge of Glory," really.

"Rent": Broadway retelling of Puccini's "La bohème," set in the Lower East Side in the early 1990s. As some have noted, Lady Gaga seems to be paying tribute to the choreography of one particular number ("Out Tonight") as she dances on the fire escape.

"West Side Story": One of the best-loved Broadway musicals of all time, "Story" was remade as a film in 1961 and went on to win a whopping 10 Oscars, including Best Picture. As you can expect, there are plenty of street scenes and fire escapes in both the film and the stage show, but perhaps the most famous is "Tonight," where the story's star-crossed lovers profess their love for one another high above the city. Sure, Maria never tears off her Versace silk, but you seemingly cannot film a scene on a fire escape without recalling this classic, and, in "Edge," there's certainly a lot of the former.

Did we miss any influences? Let us know in the comments below!

Related Photos Related Artists

Source: http://www.mtv.com/news/articles/1665991/lady-gaga-edge-of-glory.jhtml

Penélope Cruz Pink Piper Perabo Poppy Montgomery Portia de Rossi Rachael Leigh Cook

New Led Zeppelin On The Way? Jason Bonham Hints At 'Jam' Sessions With Jimmy Page -- But Not Robert Plant

Drummer admits he doesn't know what will come of 'new material.'
By Chris Harris


Jason Bonham
Photo: Larry Marano/ Getty Images

On Friday morning, mere hours before he was due to take the stage with classic rockers Foreigner at Detroit's GM Renaissance Center, drummer Jason Bonham — the son of late Led Zeppelin kitman John Bonham — told Jim Johnson and Lynne Woodison of local rock station 94.7 WCSX that he'd be an ex-member of Foreigner as of September 1. But that's not the only thing he said.

Much to the delight of Led Zeppelin fans everywhere, Bonham revealed that he's been meeting up with Led Zep guitarist Jimmy Page and bassist John Paul Jones in recent months and that they've been "trying to do some new material and writing."

It was the first time since Led Zeppelin announced they would re-form for a single performance (which happened late last year at London's O2 Arena, in honor of the late Ahmet Ertegün, who signed the band to Atlantic Records in 1969) that anyone connected to the band has confirmed publicly that new music could be on the horizon for the iconic rockers. While the bandmembers have stopped short of definitively ruling out such a reunion, singer Robert Plant insisted in the wake of last year's show that he intended to focus on promoting and touring behind his critically lauded album with bluegrass artist Alison Krauss, Raising Sand.

Not that Bonham knows what — if anything — will happen with the new material he's been working on with Page (who collaborated with pop singer Leona Lewis on an uneven version of Zep's "Whole Lotta Love" at the Olympic closing ceremonies in Beijing on Sunday night) and Jones. He said he just shows up and takes his seat behind the kit.

"I've been over [to England] a couple of times," Bonham said. "I've been working with Jimmy and John Paul and trying to do ... some new material and some writing. I don't know what it will be, but it will be something. At the moment, all I know is I have the great pleasure to go and jam with the two guys and start work on some material. When I get there, I never ask any questions. If I get a phone call to go and play, I enjoy every moment of it. Whatever it ends up as, to ever get a chance to jam with two people like that, it is a phenomenal thing for me. It's my life. It's what I've dreamed about doing."

He said it's still too early to tell what will become of these "jam" sessions, but admitted that the "possibility of doing something is in the cards. I really felt it was in the cards from the moment we walked offstage at the O2." Bonham also explained that, before there could be a Led Zep LP, "lots of politics [would need to] get ironed out," but added that recording with Zep is "something I've always wanted to do."

Bonham noticeably didn't mention frontman Plant's name during the discussion. A spokesperson for Page's management had no comment on the matter, and a spokesperson for Jones' management could not be reached by press time.

Related Artists

Source: http://www.mtv.com/news/articles/1593468/jason-bonham-hints-at-jam-sessions-with-jimmy-page.jhtml

Reese Witherspoon Rhona Mitra Rihanna Robin Tunney Rosario Dawson Rose Byrne

Taylor Swift, Justin Bieber Turn CMT Awards Into Crossover Celebration

Kid Rock hosted the show, which featured everyone from Ludacris and Jason Aldean to Sheryl Crow.
By Gil Kaufman


Sheryl Crow and Justin Bieber at the 2011 CMT Music Awards
Photo: Getty Images

You might have done a double-take when you saw the list of winners and guests at Wednesday night's CMT Music Awards, which included trophies for Taylor Swift and Justin Bieber as well as performances that featured Ludacris and a cover of Eminem and Rihanna's "Love the Way You Lie."

But, yes, this was a country music event. It's just that some of the hardware handed out at the show hosted by Kid Rock tipped its 10-gallon hat to the ongoing popularity of the pop-infused sound.

The biggest example of that cross-over success, Swift, took home one of the top honors, Video of the Year, for her clip "Mine." She accepted the prize from a stage in Wisconsin, her latest tour stop.

"I just want to say thank you and hi to everybody back at the CMT Music Awards," she said. "I wish I could be there, but I'm hanging out with 15,000 of my closest friends in Milwaukee. I want to thank so many people — all the little kids who are in the video and their families for bringing them to Maine and being in the video. ... I don't know what I did to deserve you guys, but you've made so many amazing things happen to me in my life."

Male Video of the Year honors went to "The Voice" judge Blake Shelton for "Who Are You When I'm Not Looking," while the female video winner was his wife, Miranda Lambert, for her emotional tune "The House That Built Me."

One of the more unusual names on the winners list was Bieber, who snagged Collaborative Video of the Year for his hookup with Rascal Flatts on the tune "That Should Be Me."

"First of all, I just want to say how honored I am to be here ... with Rascal Flatts," Bieber said while accepting his first country award. "How amazing are Rascal Flatts, everybody? I want to thank my mom. I want to thank my family. And I want to thank Rascal Flatts for even jumping on the song with me."

Flatts bassist Jay DeMarcus thanked Bieber right back for bringing the group the "great song," adding, "It was an honor to be in this video with you. What a talented guy. We appreciate it so much."

Lady Antebellum, another group that has surfed the more country side of the crossover wave, scored Group Video of the Year for "Hello World." And the Band Perry, an act that many mainstream listeners were first introduced to thanks to "American Idol" runner-up Lauren Alaina, took the USA Weekend Breakthrough Video of the Year prize for "If I Die Young," as well as the 2011 Nationwide Insurance On Your Side Award.

Of course, it wasn't all awards and honors, there was also a hilarious opening bit in which Swift and Shania Twain killed it in a three-minute "Thelma & Louise" parody. In the clip, the two jump in their convertible and run into a perv played by comedian Ron White, practice shooting their guns and run into "Glee" star Chord Overstreet, who plays the shirtless Brad Pitt character. In addition to a gratuitous Donald Trump cameo, the video also featured Kenny Rogers singing his hit "The Gambler" by the roadside and host Rock hopping into the car with the ladies after getting kicked off his tour bus for partying too hard.

There were other highlights, including someone tossing a pair of ladies' underwear at Rock and Sheryl Crow later admitting she flashed hers while getting up from a stool after performing with the rapper-turned-heartland-rocker.

"I'm just gonna address the elephant in the room, because people all over America are tweeting that I was wearing a really short skirt when I sang with Kid Rock — and that when I got up off the stool, I showed my underwear," Crow joked. "Well, at least you were wearing underwear," co-presenter Sara Evans said.

There was further drama when Twain came out to introduce the male video winner and took a major tumble on a too-slick floor while walking to the stage. She got up quickly and regained her composure, later laughing, "I don't need a stunt double."

In addition to Rock opening the show with a bit of his hard-hitting "Bawitdaba" (which was cut off in favor of a more country-safe tune named "Till My Dying Day" that he wrote for Wynonna Judd), Ludacris hooked up with Jason Aldean for "Dirt Road Anthem," the Band Perry played "Love the Way You Lie," and Lady Antebellum did a bit of Prince's "Kiss."

"Idol" winner Scotty McCreery was on hand with Alaina to introduce a performance by Sugarland as well.

Other winners included Sugarland (Duo Video of the Year for "Stuck Like Glue"), Zac Brown Band and Jimmy Buffett (CMT Performance of the Year for "Margaritaville") and Shelton (Best Web Video of the Year, "Kiss My Country Ass.")

Related Artists

Source: http://www.mtv.com/news/articles/1665449/cmt-awards-taylor-swift-justin-bieber-kid-rock.jhtml

Rhona Mitra Rihanna Robin Tunney Rosario Dawson Rose Byrne Rose McGowan

Coldplay, Led Zeppelin Album Covers Featured On New British Stamps

Album art from Pink Floyd, Blur and David Bowie also included.
By James Montgomery


Coldplay's new British stamps
Photo: Royal Mail

On Thursday (January 7), the U.K.'s Royal Mail unveiled a series of 10 new stamps, honoring the most iconic album covers of the past 40 years.

The albums featured in the new series are the Rolling Stones' Let It Bleed, Led Zeppelin's IV, David Bowie's The Rise and Fall of Ziggy Stardust and the Spiders From Mars, Mike Oldfield's Tubular Bells, The Clash's London Calling, New Order's Power, Corruption and Lies, Primal Scream's Screamadelica, Pink Floyd's The Division Bell, Blur's Parklife and — the most recent album on to make the cut — Coldplay's A Rush of Blood to the Head.

Meant to honor "the most potent graphic images of modern times, many of which have provided a visual soundtrack to people's lives," the series is the end result of a lengthy research process by the Royal Mail, who looked through thousands of album covers by British artists before deciding on the final list. And, during a Wednesday night BBC Radio broadcast, it was revealed that the queen herself actually approved each design.

Led Zeppelin guitarist Jimmy Page — who helped design the cover for IV — was on hand to celebrate the release of the stamps and recalled the mysterious nature of the album's iconic imagery.

"Almost 40 years after the album came out, nobody knows the old man who featured on the cover, nor the artist who painted him," he said. "That sort of sums up what we wanted to achieve with the album cover, which has remained both anonymous and enigmatic at the same time."

Of course, any great honor is befitting of an equally great contest, so, on the same day the stamps were made available to the general public, Coldplay decided to give one of their Rush of Blood stamps away. In a message on their official site, the band held a contest to send one lucky fan "a letter using a Coldplay stamp, postmarked with today's issue date."

"We visited our local post office earlier today and bought some of the Coldplay stamps," the message read. "Very nice they are too."

Related Photos Related Artists

Source: http://www.mtv.com/news/articles/1629227/coldplay-led-zeppelin-album-covers-featured-on-new-british-stamps.jhtml

Scarlett Chorvat Scarlett Johansson Selita Ebanks Shakara Ledard Shakira Shana Hiatt